Showing posts with label Hide the Weird. Show all posts
Showing posts with label Hide the Weird. Show all posts
Monday, September 1, 2014
Contest Winner!
Photo: Cover of Spring 2012's Space and Time Magazine, with my first sold story, "Hide the Weird."
And the winner of the contest, of all the comments on the entry announcing the publication of my last story, is......
Jonathan N.!!!
Jonathan, you've won the issue of Space and Time Magazine. I've emailed you via the one you gave me.
Thanks to everyone, from Rhode Island to Australia, who commented and participated.
And thanks for reading!
Please stay tuned for more contests and prizes to come. Prizes will be different, too.
Speaking of that, on my blog Steve's Baseball Blog--Cards and Commentary, I mentioned in my last blog entry today that I will be having contests over there as well, giving away one free 1909-1911 T206 card. These cards are extras of my collection, and are not professionally graded by SGC, PSA or anyone else. But they're cool cards, worth at least ten bucks or more, even in bad condition.
Do you have any collections of anything? If so, what's your specific favorite in that collection?
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Monday, March 10, 2014
Blog Tour--My Writing Process
Thanks to my friend Jane Wilson, I am participating in the Blog Tour, in which authors write about their writing process, and their writing, by answering the same four questions. Jane posted hers last week, March 3rd, at http://redroom.com/member/ jane-wilson. Go check it out. And thanks, Jane, for asking me to blog my two cents' worth.
So, if you'resilly curious enough to read four questions and answers about my writing process and my writing, here you go:
1. What am I working on?
My goodness, what am I not working on? I'm always working on multiple projects, which I used to think meant that I was super-creative. But now I think it means I'm not as focused and organized with my time and with my projects as I should be. I'd get more writing finished if I did one thing at a time. For the record, I do not encourage the multiple-project method, unless you are much more organized than I am, and you tend to finish a piece after a decent length of time.
Anyway, I'm finishing a thriller / mystery, titled (maybe), Mattress Girl, though I may stick with its (too) old title, Cursing the Darkness. (I'm sort of sick of that title now, but it fits the work very, very well. And Mattress Girl is not the main character.) Feel free to comment on which title you think sounds more interesting. This is maybe 80% done. A sequel (or prequel) is in minor stages as well.
I'm also writing a short story, "Cribbage," about a father / son bonding memory, considered by the narrator after his father has passed. This has proven to be a little too close to home, and difficult to finish.
I'm also working on a historical horror novel about a nasty, evil creature that took part in the plague in Rome and the Great Fire; in The Black Plague that killed a third of Europe (though I focus on the village of Eyam, England, which quarantined itself during the Plague and lost about 80% of its people); in the TB epidemic in New England from 1880-1895; and possibly in the Spanish Flu Epidemic of 1918 and, if I'm really gutsy, in the AIDS Epidemic, circa early-to-mid 1980s. (Because that's what it was, and is, and I'm not sure, even 34 years later, that we've totally realized that as a society.) I'm actually about a third through this one, though it's in fragments. I speak of Book 1 of this project, which I expect to be a trilogy, at least.
And did I mention I was drafting a novel told from the POV of the maid (who really existed) or of a servant (who really didn't) of Lizzie Borden, in 1892? And two memoirs?
I also write book reviews for an online mystery magazine. You can see why I do not suggest this juggling-writing method.
2. How does my work differ from others of its genre?
I try to turn each genre on its head, or to at least introduce something new to it. I'm writing Cursing the Darkness because I've been reading mystery, and noir, and detective novels, and combinations of those, since my early teens. The darkness, the loneliness, the lone man standing on his own (but not being as alone as he thinks he is) against the evils and ills of his society, of his world--all of that resonates with me. I feel I often do much the same thing, though I'm not a detective. I suspect, though, that I could be a good one, but I wouldn't be able to work in a constrictive environment, like a police force. I wouldn't be able to stand the politics, the red tape, looking in the faces of murderers and abusers and rapists and not being able to beat the hell out of them, the frustration of having to let go of an unsolved case because of the next case...
The memoirs I write because I have something very specific to say in them; to be honest, they're in such an infancy that I don't know how they'll be different yet. Except for its main subject, of course...
The short story in general is a form I like a lot. It's immediately gratifying for the author, in the sense that they're finished faster than a novel, and the editor's Yes or No comes back quicker than an agent's or publisher's does. Mine are different, I think, because I focus on an aspect of the story's genre, or themes, that are not as tread upon as are others. "Hide the Weird," for example, differed because it focused on the minute details of one potential death, one incident, and it ended with a "knowing" detail that was a little different, a little quirky. I like that about short stories, that you can focus on one thing, and turn it around, or amplify it...
The historical horror novel will be different because it takes a bit of the vampire trope (though it's not exactly a vampire, per se) and focuses more on the European vampire myths rather than the American neck-biter. (There's no neck-biting, for example.) These bad dudes are quite nasty because they're more life-drainers and spirit-suckers, like the original European and Asian ones were. They are not Victorian blood-sucking stand-ins for repressed sexual urges--if I can be so bold. And these are not things you'd want to have a romance with! No one gets lovey-dovey about these guys. It's not even an option. These are things you want to run away from, fast--if you can. That's difficult because they tend to hide in the footsteps of bigger catastrophes--like fires, and plagues, and viruses. But they also hide in the biases of the society's reaction towards these catastrophes--and that's another way this trilogy is different. How can you run from such a thing in Eyam, England, during the Plague, when the town's already quarantined? While people in New England in the 1880s and 1890s, for example, were dropping from consumption, a few unfortunate folks were succumbing to this demonic thing--which hid in the footsteps of the TB, and its way to kill even mirrored TB's symptoms. So that's different, too.
3. Why do I write what I do?
Whoops--I kind of answered that in the paragraph above. Though, actually, the real answer for this is because it interests me. A lot. I've got something to say, something to show, and I know I can do so in a different way than what's already been done--at all, or recently, or both. My characters tend to surprise me, which is always good, and I tend to surprise myself. I write some things and I think--Wow! I didn't know I was going to go there! I'm rarely in love with what I write, but it's a blessing when something comes out just right, and a little bit different. "So Many Reasons to Celebrate the Season" worked like that. Didn't even know it was going to come out that way, and say what it said, until it did. "Hide the Weird" was a little more planned in my head, but the ending was still a nice little twist / surprise for me. And so that's why I write what I do as well--to surprise myself, to complete something of my own unique creation that really works. It's like a mechanic making his own engine and liking how it purrs. It's rare for me, but it's blissful when it happens.
4. How does your writing process work?
Oh, Lord. Well, here's the nasty, evil truth, and I'm very ashamed to admit this, but...I don't have a writing process. At all. I don't write the same thing every day, or even consistently. I don't write at the same time every day, or even (what I feel is) consistently. I don't outline. I do listen to music, and I do draft. A lot. When I can. Whenever my job doesn't consume me; whenever I conquer my own fear, or frustration, or lack of focus, or whatever it is (Steven Pressfield calls it Resistance, which is as good a name for it as any) that prohibits me from sitting my butt down and working on one project consistently, at the same time every day, until it's done. This is maddening beyond belief; I would literally tear my hair out if I thought I could afford to lose any more of it. I do not advise my working method, if I can even call it that, for anybody. Sit your butt down and work on one thing (or one big thing and one smaller thing) at one time. Otherwise it'll all paralyze you like it often does me. It is a minor miracle that I've gotten as many projects done as I have, and that I've been published as often as I have. Every finished piece is a miracle baby--even the ones that don't sell. I'm proud of them all, in some way. They're all a piece of me, and they all came out hard.
Well, that's it. Thanks for stopping by! Next week, please check out the writing processes of these three good writers:
So, if you're
1. What am I working on?
My goodness, what am I not working on? I'm always working on multiple projects, which I used to think meant that I was super-creative. But now I think it means I'm not as focused and organized with my time and with my projects as I should be. I'd get more writing finished if I did one thing at a time. For the record, I do not encourage the multiple-project method, unless you are much more organized than I am, and you tend to finish a piece after a decent length of time.
Anyway, I'm finishing a thriller / mystery, titled (maybe), Mattress Girl, though I may stick with its (too) old title, Cursing the Darkness. (I'm sort of sick of that title now, but it fits the work very, very well. And Mattress Girl is not the main character.) Feel free to comment on which title you think sounds more interesting. This is maybe 80% done. A sequel (or prequel) is in minor stages as well.
I'm also writing a short story, "Cribbage," about a father / son bonding memory, considered by the narrator after his father has passed. This has proven to be a little too close to home, and difficult to finish.
I'm also working on a historical horror novel about a nasty, evil creature that took part in the plague in Rome and the Great Fire; in The Black Plague that killed a third of Europe (though I focus on the village of Eyam, England, which quarantined itself during the Plague and lost about 80% of its people); in the TB epidemic in New England from 1880-1895; and possibly in the Spanish Flu Epidemic of 1918 and, if I'm really gutsy, in the AIDS Epidemic, circa early-to-mid 1980s. (Because that's what it was, and is, and I'm not sure, even 34 years later, that we've totally realized that as a society.) I'm actually about a third through this one, though it's in fragments. I speak of Book 1 of this project, which I expect to be a trilogy, at least.
And did I mention I was drafting a novel told from the POV of the maid (who really existed) or of a servant (who really didn't) of Lizzie Borden, in 1892? And two memoirs?
I also write book reviews for an online mystery magazine. You can see why I do not suggest this juggling-writing method.
2. How does my work differ from others of its genre?
I try to turn each genre on its head, or to at least introduce something new to it. I'm writing Cursing the Darkness because I've been reading mystery, and noir, and detective novels, and combinations of those, since my early teens. The darkness, the loneliness, the lone man standing on his own (but not being as alone as he thinks he is) against the evils and ills of his society, of his world--all of that resonates with me. I feel I often do much the same thing, though I'm not a detective. I suspect, though, that I could be a good one, but I wouldn't be able to work in a constrictive environment, like a police force. I wouldn't be able to stand the politics, the red tape, looking in the faces of murderers and abusers and rapists and not being able to beat the hell out of them, the frustration of having to let go of an unsolved case because of the next case...
The memoirs I write because I have something very specific to say in them; to be honest, they're in such an infancy that I don't know how they'll be different yet. Except for its main subject, of course...
The short story in general is a form I like a lot. It's immediately gratifying for the author, in the sense that they're finished faster than a novel, and the editor's Yes or No comes back quicker than an agent's or publisher's does. Mine are different, I think, because I focus on an aspect of the story's genre, or themes, that are not as tread upon as are others. "Hide the Weird," for example, differed because it focused on the minute details of one potential death, one incident, and it ended with a "knowing" detail that was a little different, a little quirky. I like that about short stories, that you can focus on one thing, and turn it around, or amplify it...
The historical horror novel will be different because it takes a bit of the vampire trope (though it's not exactly a vampire, per se) and focuses more on the European vampire myths rather than the American neck-biter. (There's no neck-biting, for example.) These bad dudes are quite nasty because they're more life-drainers and spirit-suckers, like the original European and Asian ones were. They are not Victorian blood-sucking stand-ins for repressed sexual urges--if I can be so bold. And these are not things you'd want to have a romance with! No one gets lovey-dovey about these guys. It's not even an option. These are things you want to run away from, fast--if you can. That's difficult because they tend to hide in the footsteps of bigger catastrophes--like fires, and plagues, and viruses. But they also hide in the biases of the society's reaction towards these catastrophes--and that's another way this trilogy is different. How can you run from such a thing in Eyam, England, during the Plague, when the town's already quarantined? While people in New England in the 1880s and 1890s, for example, were dropping from consumption, a few unfortunate folks were succumbing to this demonic thing--which hid in the footsteps of the TB, and its way to kill even mirrored TB's symptoms. So that's different, too.
3. Why do I write what I do?
Whoops--I kind of answered that in the paragraph above. Though, actually, the real answer for this is because it interests me. A lot. I've got something to say, something to show, and I know I can do so in a different way than what's already been done--at all, or recently, or both. My characters tend to surprise me, which is always good, and I tend to surprise myself. I write some things and I think--Wow! I didn't know I was going to go there! I'm rarely in love with what I write, but it's a blessing when something comes out just right, and a little bit different. "So Many Reasons to Celebrate the Season" worked like that. Didn't even know it was going to come out that way, and say what it said, until it did. "Hide the Weird" was a little more planned in my head, but the ending was still a nice little twist / surprise for me. And so that's why I write what I do as well--to surprise myself, to complete something of my own unique creation that really works. It's like a mechanic making his own engine and liking how it purrs. It's rare for me, but it's blissful when it happens.
4. How does your writing process work?
Oh, Lord. Well, here's the nasty, evil truth, and I'm very ashamed to admit this, but...I don't have a writing process. At all. I don't write the same thing every day, or even consistently. I don't write at the same time every day, or even (what I feel is) consistently. I don't outline. I do listen to music, and I do draft. A lot. When I can. Whenever my job doesn't consume me; whenever I conquer my own fear, or frustration, or lack of focus, or whatever it is (Steven Pressfield calls it Resistance, which is as good a name for it as any) that prohibits me from sitting my butt down and working on one project consistently, at the same time every day, until it's done. This is maddening beyond belief; I would literally tear my hair out if I thought I could afford to lose any more of it. I do not advise my working method, if I can even call it that, for anybody. Sit your butt down and work on one thing (or one big thing and one smaller thing) at one time. Otherwise it'll all paralyze you like it often does me. It is a minor miracle that I've gotten as many projects done as I have, and that I've been published as often as I have. Every finished piece is a miracle baby--even the ones that don't sell. I'm proud of them all, in some way. They're all a piece of me, and they all came out hard.
Well, that's it. Thanks for stopping by! Next week, please check out the writing processes of these three good writers:
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Monday, April 2, 2012
And the Winner Is....Plus, I'm Interviewed!!! And My Sixth-Grade Teacher
And the winner is...Namzola!
Thanks to everyone who entered the free magazine contest, either by email or by comment. (There were a ton more emails. Why is that? Don't be bashful!!!) There'll be another contest soon to win a free issue of Space and Time Magazine with my story, "Hide the Weird," inside, on page twenty-five. Sorry it took so long to announce the winner, as well. Been taking care of some weighty things over here.
And it's hard for me to believe that someone wanted to interview me about being a newly-published author, but that happened recently. Ms. Raychelle Muhammed at http://www.Raychelle-Writes. blogspot.com was awesome enough to ask me to introduce myself, my writing, my upcoming works, my journey to publication, and lots of other cool things. Look for that interview on her website on April 11th. (I'll post another reminder closer to that day.) It was a pleasure to answer those questions--and I learned a few things doing so! Like, I've got a couple of drafts, about 100 pages in, each, of two WIPs that I'd completely forgotten about! I actually forgot that I'm in the process of writing so many things! ::writer slaps himself upside the head::
How can someone write so much and then completely forget about them??? I have to better organize my time, get more stuff out there. In fact, I have three or four more works that need to be sent out, pronto.
So I've been signing copies of the magazine for co-workers, for a fundraiser, and for immediate family and friends--and I'm excited to be able to give one to my sixth-grade teacher. I won't mention her name, because I have a feeling that might embarrass her a little, but she was--and still is--this awesome woman who was the first person ever to tell me that I had some writing talent, and that I was actually a worthwhile person in general. (Even my family at the time didn't tell me I had any writing talent; though, in fairness, what family knows that about their kid when he's in the sixth grade?) Well, anyway, she did, and she was a wonderful person at a very traumatic time in my life.
So the lesson today, people: Remember your good teachers, whether they were literally teachers or not. Try to contact one, and tell them how awesome he/she was for you back in the day. Feel free to comment below about an awesome teacher, or teacher-like person, who made a positive impression upon you.
Thanks to everyone who entered the free magazine contest, either by email or by comment. (There were a ton more emails. Why is that? Don't be bashful!!!) There'll be another contest soon to win a free issue of Space and Time Magazine with my story, "Hide the Weird," inside, on page twenty-five. Sorry it took so long to announce the winner, as well. Been taking care of some weighty things over here.
And it's hard for me to believe that someone wanted to interview me about being a newly-published author, but that happened recently. Ms. Raychelle Muhammed at http://www.Raychelle-Writes.
How can someone write so much and then completely forget about them??? I have to better organize my time, get more stuff out there. In fact, I have three or four more works that need to be sent out, pronto.
So I've been signing copies of the magazine for co-workers, for a fundraiser, and for immediate family and friends--and I'm excited to be able to give one to my sixth-grade teacher. I won't mention her name, because I have a feeling that might embarrass her a little, but she was--and still is--this awesome woman who was the first person ever to tell me that I had some writing talent, and that I was actually a worthwhile person in general. (Even my family at the time didn't tell me I had any writing talent; though, in fairness, what family knows that about their kid when he's in the sixth grade?) Well, anyway, she did, and she was a wonderful person at a very traumatic time in my life.
So the lesson today, people: Remember your good teachers, whether they were literally teachers or not. Try to contact one, and tell them how awesome he/she was for you back in the day. Feel free to comment below about an awesome teacher, or teacher-like person, who made a positive impression upon you.
Friday, March 23, 2012
Comment on "Hide the Weird," from the Spring 2012 Issue of Space and Time
Hello, Space and Time readers, blog followers, friends, e-friends, and, hey, even if you accidentally stumbled upon this, looking for something else! I hope you read and liked the story. Please comment on it below--or, if you're bashful, shoot me an email, listed in this blog's header. I promise to get back to you in a timely fashion!
I'd be honored to sign your issue for you, if you'd like. Just send me an email and we'll make arrangements. I ask, via the honor system, that, in return, you consider sending a couple bucks to your local ASPCA (The American Society for the Prevention of Cruelty to Animals). I donate to these guys all the time; they do great work. You can read more about them here. (Feel free to skip the very sad pictures; I can't bear to watch the depressing commercials, either.) If you have a favorite charity you'd rather give to, by all means do so. I'm very low maintenance.
As far as cost, that's it. I'm not so huge that I'm comfortable charging for autographs. Yet. :-)
Okay, so back to happier things! Let me know what you think about the story. And, as always, thanks for reading my stuff. I look forward to our communication!
Update: Thanks for the emails, guys. Nice to hear from ya. Keep 'em comin'! And don't be afraid to leave a comment below, too.
I'd be honored to sign your issue for you, if you'd like. Just send me an email and we'll make arrangements. I ask, via the honor system, that, in return, you consider sending a couple bucks to your local ASPCA (The American Society for the Prevention of Cruelty to Animals). I donate to these guys all the time; they do great work. You can read more about them here. (Feel free to skip the very sad pictures; I can't bear to watch the depressing commercials, either.) If you have a favorite charity you'd rather give to, by all means do so. I'm very low maintenance.
As far as cost, that's it. I'm not so huge that I'm comfortable charging for autographs. Yet. :-)
Okay, so back to happier things! Let me know what you think about the story. And, as always, thanks for reading my stuff. I look forward to our communication!
Update: Thanks for the emails, guys. Nice to hear from ya. Keep 'em comin'! And don't be afraid to leave a comment below, too.
Tuesday, March 20, 2012
My Published Story--Finally!!! Free Contest!
photo: Cover of Spring 2012 issue of Space and Time Magazine, with my story, "Hide the Weird," inside!!! The artist who created it is Victor Giannini.
In honor of Hall of Famer Jim Rice, #14, left fielder of the Boston Red Sox, last in the trifecta of Ted Williams, Yaz and Rice in front of the Green Monster--and a minor mention in "Hide the Weird"--I hereby announce a contest, 1st prize a free, signed copy of the current Spring 2012 issue of Space and Time Magazine with my story in it, to the fourteenth person who leaves a comment or an email (see above) with the words HIDE THE WEIRD in the beginning of the comment or email. Please leave a name so I can contact you specifically for the address to send the issue.
"Hide the Weird" is the fourth story in the current, Spring 2012 issue of Space and Time Magazine. Please go to www.spaceandtimemagazine.com and click on the mushroom cloud / skeleton-lounging cover (pretty cool cover, actually) to see the Table of Contents with my story. A facsimile of the Table of Contents appears below.
Issue #116
Spring 2012
Editor’s Geeble by Hildy Silverman
FICTION:
POETRY:
Editor’s Geeble by Hildy Silverman
FICTION:
- A Test of Faith for a Couple of True Believers by Scott Edelman
- Brain Scram by Erik Johnson
- The Gnomes of Carrick County by John R. Fultz
- Hide the Weird by Steven E. Belanger
- Prisoner of War by Floris M. Kleijne
- The Preacher Man by W.K. Tucker
POETRY:
- (Haiku) by Professor Yunshen Jiang
- Zugzwang by David M. Rheingold
- The Innkeeper’s Dream by Sofia Rhei
- Found by Professor Yunshen Jiang
- Stardust by Gary Frank
- An Interview with Kevin J. Anderson by Stephen Euin Cobb
- Word Ninja by Linda D. Addison
- Review: By Other Means by Sam Tomaino
- The Tale Wagging the Dog by Daniel Kimmel
- Victor Giannini
Friday, February 3, 2012
The Past Seven Days
Photos: My table and chair, mentioned below. (Notice the cool drawer in the last pic.) Please comment or email and let me know exactly what these things are--year and model. Guesses and approximations are okay. Thanks!
Wrote and sent the author bio for a spec. fiction short story, "Hide the Weird," to be published THIS MONTH in Space and Time Magazine. (Please check out the link--and I apologize for the unabashed self-promotion.)
A very short nonfiction piece, "Someone To Come Home To," accepted for publication. Details to come.
Another short story, this one a mystery, possibly to be accepted soon. Crossing my fingers and staying positive--which is why I mention it here to begin with. Details to come.
Recovering from strep, which may have not completely gone away. Overall feeling: bleh.
Bad headache last two days; it is a killer today. So much for Friday night plans.
Getting the house ready for Round Two of tearing down wallpaper, painting the walls and treating the floors. Lots of cleaning to do first, and organizing the clutter. Furniture has to be moved out. Money has to be saved and spent. Lots of it. It'll be worth it, though; the living room looks like a million bucks--and cost about as much. But who knew there was a great-looking wall ready to be coated blue, and strong white oak beneath all that old carpeting?
1895 round writing table placed in the upper corner of said living room. (Table's in great shape and was bought at a yard sale for $20.) Area rugs bought for this, and for the small dinner table behind the couch/in front of the fireplace. Finding these area rugs took an exasperating three-plus hours, but they came cheap and look great. Putting all those felt things on the bottom of the furniture legs was also a chore.
Harried and exhausting part of my job accomplished on-time this past Monday, which screwed up my sleeping patterns and possibly created my current state of blah-ness.
All in all, though, a great week between posts.
How did yours go? Please share.
And, by the way, does anyone know exactly what year and model the table (or chair) is? Any possible idea would be appreciated. Just throw it to me and I'll look it up. Thanks!
Monday, October 24, 2011
"Hide the Weird" to appear in Space and Time Magazine, January 2012!!!
According to Hildy Silverman, publisher of Space and Time Magazine: The Magazine of Fantasy, Horror and Science Fiction:
"Hiding the Weird is slotted for inclusion in the next issue, #116, which is set for release this winter (January, 2012)."
Very exciting!!! Write it down, everyone, and buy the January, 2012 issue of Space and Time Magazine to read my story!!! In fact, buy the current issue of Space and Time, as well. It's a cool magazine with a fine mix of fantasy, sci-fi and horror. And I'm not just saying that because they were awesome enough to purchase and publish my story.
It's because my story is technically speculative fiction, which is not specifically fantasy, horror or science fiction. So it's got a bit of everything in there. Go take a look: Space and Time Magazine.
Please spread the word to any and all online writing or discussion groups that you're a member of. If anyone who reads this is a published author in a print or online magazine, please let me know in a comment or email and I will spread the word for you, as well.
Thanks, everyone!
(And I apologize in advance for the reminder posts that may come in December and/or January.)
Monday, March 14, 2011
A Confession
Besides the personal and family issues in my life hindering my writing output, I have to admit that the biggest culprit is--me. Specifically, I've been caught in the trap of waiting and hoping, every day, for The Email. That's the one that an agent or magazine editor sends to me to let me know that I'm accepted--or that my writing is, since of course it's never personal. I hope every day for such a response--I check the mail with anticipation (though we all know that if you get an SASE back, that's not a good sign. A Yes will come by email or phone.) and I'm very disappointed every day when no acceptance appears. The same, but worse, happens with me and email. The disappointment is much more profound via email, especially since I've received a Yes via email before (for "Hide the Weird").
So I let the daily disappointment get to me, and I get down--and the other things in my life right now don't help that--and then I can't focus on my writing, despite my tons of ideas, and I don't get any writing done at all. This is happening more and more frequently lately.
I know the answer is to just have a daily schedule of writing, so that it becomes habit and not dependent on good news, or whim, or creative drive. I know this like I know my own name. This will also even out my moods, so that I'm not so disappointed, and so that when a Yes comes, it's just a pleasant surprise that stops the writing. I know this. I've got the books, the ledgers, the research and the talent to get that done.
And yet I don't.
I suppose I should give myself a break. The stuff going on right now would halt anybody. And yet the disappointment of not getting any writing done on a consistent basis is adding to my disappointment and REALLY getting me down, so that I'm more down about not getting any writing done, day after day, than I am about not getting a Yes, day after day.
I need to forgive myself these failures and just start tomorrow with a schedule. I just need to start writing every day.
So I let the daily disappointment get to me, and I get down--and the other things in my life right now don't help that--and then I can't focus on my writing, despite my tons of ideas, and I don't get any writing done at all. This is happening more and more frequently lately.
I know the answer is to just have a daily schedule of writing, so that it becomes habit and not dependent on good news, or whim, or creative drive. I know this like I know my own name. This will also even out my moods, so that I'm not so disappointed, and so that when a Yes comes, it's just a pleasant surprise that stops the writing. I know this. I've got the books, the ledgers, the research and the talent to get that done.
And yet I don't.
I suppose I should give myself a break. The stuff going on right now would halt anybody. And yet the disappointment of not getting any writing done on a consistent basis is adding to my disappointment and REALLY getting me down, so that I'm more down about not getting any writing done, day after day, than I am about not getting a Yes, day after day.
I need to forgive myself these failures and just start tomorrow with a schedule. I just need to start writing every day.
Wednesday, March 2, 2011
Unabashed Self-promotion: Upcoming Works
"Hide the Weird"--a short story
Please look for this story in a forthcoming issue of Space and Time Magazine: The Magazine of Fantasy, Horror and Science Fiction. I think this issue will appear in 2011, but I'm not totally sure. I'll keep the situation updated. Please visit them at www.spaceandtimemagazine.com--especially when my story appears. (But even now, too.)
"Shadows"--a short story
A brief story (about 20 pages) of a teen who (barely) escapes a mass disappearance. It's on this site, and on my website, and it's written in a surreal, Alice-in-Wonderland-at-A-Houseparty style. Hope you like it. Let me know!
The Gravediggers, a novel
Kicking up steam with a new novel WIP, The Gravediggers. This could possibly be the first of a trilogy, maybe not. We'll see. About 70 pages of present-day chapters and 10 pages of past chapters have been done so far. Outlines and character sketches and charts are being filled out. Please see past blogs for details.
"Cribbage"--a short story
A short piece of how a father and son bond over games of cribbage, especially after the death of the wife/mother. This one is hitting a little too close to home right now, but I'm hangin' in there. An update of a piece written as an undergrad. and never before published. Doing this kind of thing with a past story worked with "Hide the Weird."
"Everything's Connected" and "Pink Lemonade"--short stories
Both of these are app. 10 pages; both are short mysteries starring the main character of my MS.-Looking-for-An-Agent, Cursing the Darkness. These two short stories are currently making the rounds. Wish them luck!!!
Cursing the Darkness--Completed Novel
Private eye Brad Foster comes up against a powerful mobster, a morality-driven killer, a hitman with an itchy trigger-finger, crooked cops, his Alzheimer's-ridden mother and his own depression and past failures (which led to a child's death) as he searches for two missing teenage girls and a runaway wife. The first chapter and prologue of this work appear on my website, www.stevenbelanger.com. Check 'em out, lemme know what you think! This MS. is currently making the rounds.
"So Many Reasons to Celebrate the Season"--a short story
A writer returns from a long, overseas book tour, on Christmas Eve, to hear that his wife is leaving him after the holidays and going with the neighborhood pharmacist for a long, island vacation. This story is currently making the rounds of the magazines.
Please look for this story in a forthcoming issue of Space and Time Magazine: The Magazine of Fantasy, Horror and Science Fiction. I think this issue will appear in 2011, but I'm not totally sure. I'll keep the situation updated. Please visit them at www.spaceandtimemagazine.com--especially when my story appears. (But even now, too.)
"Shadows"--a short story
A brief story (about 20 pages) of a teen who (barely) escapes a mass disappearance. It's on this site, and on my website, and it's written in a surreal, Alice-in-Wonderland-at-A-Houseparty style. Hope you like it. Let me know!
The Gravediggers, a novel
Kicking up steam with a new novel WIP, The Gravediggers. This could possibly be the first of a trilogy, maybe not. We'll see. About 70 pages of present-day chapters and 10 pages of past chapters have been done so far. Outlines and character sketches and charts are being filled out. Please see past blogs for details.
"Cribbage"--a short story
A short piece of how a father and son bond over games of cribbage, especially after the death of the wife/mother. This one is hitting a little too close to home right now, but I'm hangin' in there. An update of a piece written as an undergrad. and never before published. Doing this kind of thing with a past story worked with "Hide the Weird."
"Everything's Connected" and "Pink Lemonade"--short stories
Both of these are app. 10 pages; both are short mysteries starring the main character of my MS.-Looking-for-An-Agent, Cursing the Darkness. These two short stories are currently making the rounds. Wish them luck!!!
Cursing the Darkness--Completed Novel
Private eye Brad Foster comes up against a powerful mobster, a morality-driven killer, a hitman with an itchy trigger-finger, crooked cops, his Alzheimer's-ridden mother and his own depression and past failures (which led to a child's death) as he searches for two missing teenage girls and a runaway wife. The first chapter and prologue of this work appear on my website, www.stevenbelanger.com. Check 'em out, lemme know what you think! This MS. is currently making the rounds.
"So Many Reasons to Celebrate the Season"--a short story
A writer returns from a long, overseas book tour, on Christmas Eve, to hear that his wife is leaving him after the holidays and going with the neighborhood pharmacist for a long, island vacation. This story is currently making the rounds of the magazines.
Friday, February 4, 2011
Red Room and Author's Den
I'm not one for unabashed advertising. In fact, (right) before I changed the format of this blog, I promised some good folks that I would somehow incorportate their blogs or sites onto mine, in an unabashed show of e-friendship and writerly patriotism. I've done that for a few, not for all, and I feel sorta bad for it. I apologize to them again; I promise to do what I can.
But I pause here now to tell all the writers who read this blog that they should consider getting an account on Red Room and/or Author's Den. There are many reasons for this, all beneficial to a writer:
1. You'll get noticed. Already more people have seen my Red Room page--in just a couple of days--then there would be people noticing me here over a longer length of time.
2. Other professional authors have such accounts and pages. I'm talkin' Salman Rushdie here. (I saw his.)
3. They're considered a professional portfolio addition kind of thing.
4. You can post your published (or, for many, self-published) titles on there, as well as the webpages you're selling them on. Very convenient.
5. You can put your announcements on there, too, which can range from "I just sold a short story," to "I just finished a new novel and it's ready for representation." Of course, you can put much bigger literary news up there, too. Like, "I just agreed to a contract with an agency." If you're going to a convention, or booksigning, or anything else, you can announce that, too.
6. You can publish previously unpublished works, like I did with "Shadows" here. Of course, you cannot publish previously published works there, or anywhere else, unless it's been long enough for the rights to come back to you.
7. You can publish previously unpublished articles, poems, etc. as well. See disclaimer above.
8. Red Room gives you a free blog, too. Author's Den makes you upgrade (reads: pay) for one.
9. Writers and readers who take writing and reading seriously are on there, not just web-surfers.
10. The most important reason: My stuff is there! See my links at the top of this page. Check 'em out!
Saturday, November 13, 2010
Balance
I finished "Pink Lemonade." Originally I'd written it in third person the day after I'd experienced most of it. My friend Chris and I had gone to Unos, as usual, before the Red Sox game, and...well, you'd have to read the story. I didn't like it in the third person, so I spent a few days revamping it into first person, so Foster's voice could be part of the story. Just sounded too mechanical without him. I finished 99% of it Thursday, then did the rest today, and then spent a few hours more editing it, tightening it, fixing a few discrepancies. Then I posted it to my writers group. Two days before the group meets, awesome group member that I am. After a few comments there, and maybe some more editing, off it goes to pound the internet pavement. That one, and two others I still have to send out yet. The last story I got published, "Hide the Weird," I sent out before my time came around for the group review, so that it was accepted by the magazine, and then the group reviewed it. That was unusual. It's too late to try that now, but I do things--even somewhat ridiculous things--when it's been shown to work. The story wasn't accepted because it was sent out before the meeting, but still...I'll send the next one out before the next meeting...
This is a good problem to have, but it's frustrating to be completing projects and then not sending them out. The Man gets in the way, doesn't he, when you have to create and do the business end of creating? Sounds ridiculous, but it's true--there is a business end to creating. It takes more time, in fact, than the actual creating.
I hope that tomorrow I can finish the job's requirements early, so I can send all that out. And the actual life stuff, like laundry, dishwasher, picking up the entire house? That'll all have to wait. I need an assistant.
I would be very interested to learn how to better organize my time, so that I don't feel as impossibly rushed and frantic as I do--which isn't good for the creating process, nor the business end that goes with it. How do you write a lot, work a very busy day job that is in itself very draining (though rewarding), and yet still meet life's other requirements? I wake up much earlier than I used to, seven days a week, and I go to bed as late as I used to, which, being an insomniac, was always late to begin with, anywhere between 1 to 3 in the morning--to wake up and be at work just after 7. And yet the house, the office, and, well, myself, all need tidying up a bit, all the time, and the work for the day job and for my writing never seems to be completed.
Anyone have any advice about how to better complete things, or to be more balanced with everything?
This is a good problem to have, but it's frustrating to be completing projects and then not sending them out. The Man gets in the way, doesn't he, when you have to create and do the business end of creating? Sounds ridiculous, but it's true--there is a business end to creating. It takes more time, in fact, than the actual creating.
I hope that tomorrow I can finish the job's requirements early, so I can send all that out. And the actual life stuff, like laundry, dishwasher, picking up the entire house? That'll all have to wait. I need an assistant.
I would be very interested to learn how to better organize my time, so that I don't feel as impossibly rushed and frantic as I do--which isn't good for the creating process, nor the business end that goes with it. How do you write a lot, work a very busy day job that is in itself very draining (though rewarding), and yet still meet life's other requirements? I wake up much earlier than I used to, seven days a week, and I go to bed as late as I used to, which, being an insomniac, was always late to begin with, anywhere between 1 to 3 in the morning--to wake up and be at work just after 7. And yet the house, the office, and, well, myself, all need tidying up a bit, all the time, and the work for the day job and for my writing never seems to be completed.
Anyone have any advice about how to better complete things, or to be more balanced with everything?
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