Showing posts with label Providence. Show all posts
Showing posts with label Providence. Show all posts

Saturday, November 11, 2017

2017 Comic Con: John Cusack

I spent all day Saturday in Providence, RI at the 2017 Comic Con. I took TONS of pics and spent a couple mortgage payments there. Lots of pics to come in the following days.

First one up: John Cusack as Lloyd Dobler in Say Anything. When I was at the signing table, h
e smirked in a grumpy way when he used the wrong pen, instead of my blue sharpie, and his assistant said he'd sign a different picture in my blue sharpie, which he did. And then he kept the sharpie! I'm glad I got his autograph, but he lived up to his curmudgeon reputation. But it was poetic. Just as Ione Sky gave him a pen in Say Anything, so did I at Comic Con.



Tuesday, November 22, 2016

Comic Con 2016 -- Christian Slater

Some pics from Comic Con this November in Providence, RI.

Me and Christian Slater:


This was Christian Slater's first-ever Con of any kind. He's eligible for Mr. Robot, his current show, which I haven't seen, and from his guest role in a Star Trek movie. (If you know which one, you're much more of a fan than I, though I've seen all of the original films, and all of the rebooted Kirk films.)

But the majority of the talk at the panel was about Heathers, of course. For example, in this pic, where it looks like I'm in the picture I'm taking, but it's not me:


Slater was an extremely friendly guy when I met him for his picture and autograph. Not just faking it, as many of them do, and not sounding like he's uncomfortable or disgusted. He's aged well, partly perhaps because he seems like a very nice, laid-back guy. My better half also says it's because he married someone outside the business, which is also a possible reason. He seemed to be having a good time. Only time will tell if he's the same way after his 100th Comic Con, but he was cool here.

He said he got the cameo in that Star Trek movie because his mother was casting for the film, and someone had just dropped out of the role, and they were ready to shoot. He'd been on the lot shooting a show and a movie, and his mother asked if he had a moment. He was a fan of the show, so he agreed to the spot start.

He also received a lot of questions about Pump Up the Volume, which I suppose was a little ahead of its time. Message-wise, not high school. But we could sure use Harry now! I got a chance to comment to him about Murder in the First, a very overlooked movie, and one which I wished I'd had more of a chance to speak to him about. I got in line at the panel, but they ran out of time, so me and three others had to sit back down. But I brought the movie up to him in person, said I liked it, and he said, "Yes! Of course!" which he said to a great many things. But it was his first Comic Con, so he'll have to work on his instant responses. But at least it wasn't fake. As usual, an honest guy, no BS.

Coming soon: Michael Cudlitz, recently departed of The Walking Dead, at Comic Con.

Sunday, June 21, 2015

Jaws Re-Release



Photo: The iconic movie poster, from the movie's Wikipedia page.

I saw the re-release of Jaws at a local Showcase Cinema today--the kind where there's a waitress and you can order from a menu.  Nice, but weird.  Very few people ordered anything; but two who did were, of course, sitting beside me, and had the poor waitress running up and down the aisle in front of me all night.  Grrrrrrrr...

But the movie was worth it.  The film holds up very well after all these years--40 of them!!!  And, no, I didn't see this movie when it first came out, as that was a bit before my movie-going time.

And so a few quick thoughts:

--I'm not sure Jaws could be made today, and I mean that as a slap to today's movie-going public.  It has too few shocks, and they're built up with very solid character-building and reality-defining that unfortunately take quite a bit of time.

--The running time of about 2.5 hours is just a bit too long for a horror movie today.  Fantasy / sci-fi pics--Yes, those can still be long, especially if there's a lot of special effects.

--A character-sketch horror movie just wouldn't fly today.  The Exorcist could be thrown in here, too.

--Jaws the shark (or Bruce, if you're in the know) was effectively handled as Stoker handled Dracula: More scary the less you see him.  If you read the original Dracula, you'll notice you see the Count frequently in the beginning and in the end, and only fleetingly in the middle.

--I remembered that Hooper's heart was broken my Mary Ellen Moffat, because I'm messed up like that.  I also knew the shark's name was Bruce, and that the book's author--Peter Benchley--was the reporter on the beach.  But those last two are common.  But Mary Ellen Moffat?  That's messed up.

--Roger Ebert loved it in 1975.  Gene Siskel didn't.  Like, at all.

--I have the autograph of Susan Backlinie, who was Chrissie, the famous blonde attack victim in the opening.  And so when I had a conversation with someone about it, I said, "That's Susan Backlinie," and I got a weird look.  She was at a recent convention in Providence.  You can see a lot of props from Jaws at one of my past blog entries about the convention:

  http://stevenebelanger.blogspot.com/2014/07/jaws-and-me.html

--I read today that Quint's place was the only set made for the film.  Everything else was on location.

--Mostly in Martha's Vineyard, of course.

--Spielberg returned to this area to shoot Amistad in Newport.  I know---I was an extra.

--I spoke to him a little bit.  Fascinating guy.  Wore a super-heavy winter jacket in the super-hot Newport courthouse, with all the lights, cameras, and everything else generating even more heat.

--Robert Shaw was the fourth actor offered the role.  He and Richard Dreyfuss apparently did not get along.

--Shaw's Indianapolis monologue was improvised, as was Orson Welles's famous "Cuckoo Clock" monologue from The Third Man.  I wouldn't be surprised if Marlon Brando's in Apocalypse Now was, too.

--Peter Benchley wrote some articles a few years after Jaws came out, explaining how harmless great whites really are, and how most of their attacks are accidents.  I'm gonna guess he cashed all the book and movie royalty checks first.  I'm so young, yet so cynical.

--3 Biggest Differences Between Book and Film: In the book, Hooper's character gets killed by the shark, gets an arrow through the neck while in the shark's mouth, and sleeps with Brody's wife.

Tuesday, July 17, 2012

How I Almost Got Beaten by the Salvation Army Guy


photo: The Salvation Army shield, from its Wikipedia page

I had a successful yard sale this past Saturday.  I very impulsively decided to have one for many reasons psychological and emotional, but in the end it came down to needing more space in here.  I'm fortunate to live in an area that is inundated every weekend with yard sale fanatics, so all I have to do is post a few signs on the major roads that lead to the peninsula I live on, and then on the side streets to lead them to me.  I don't even have to advertise on Craig's List or anything.  A neighbor was coincidentally having one at the same time, so we told our customers to check the other sale out.  So a few interesting tidbits from this:

--If you're more interested in getting rid of the things, and less interested on making a huge profit, the best thing to do, from my experience, is to not put a price on anything (it's okay to price any huge, expensive items you might have)--but also don't let anything go for free.  If it's free, people will think it's junk.  If it's twenty-five cents, people think they're frugal and getting a bargain.  This is what I did, with most items selling for between $.25 and $2, and at the end I just had one SUV trip to the local Salvation Army store.  This was a unique experience in of itself, which I'll get into later.

--My friend was amazed at the things people bought.  He kept saying: "I would have just thrown that away."  But it's true: People will buy anything.  Never underestimate the hoarding tendencies of many people.

--If you have a yard sale, take down your damn signs.  They litter up the telephone poles and trees, look like an eyesore, and make wary yard sale customers drive aimlessly around a neighborhood that had a yard sale a week or two ago.  I can't tell you how many times I drive around following old, undated signs.

--Speaking of old, undated signs, do not make a sign that says: "Yard sale today."  When you're looking at it, "today" could mean any day, not just today.  Of course, this wouldn't be a problem if people took down their damn signs.

--And take down the nails you use, too.  I almost couldn't nail up my signs because there were so many nails on the poles already, my nails couldn't dig into the wood.  In fact, I told my friend that I wouldn't need any nails because I knew there would be so many there already.  I was pressed for time, so I didn't have the time to re-use all of the nails there, but I did re-use many of them.

--Someone's complete Community Service Hours could be spent taking down yard sale signs and removing nails from telephone poles.

--Speaking of that, awhile ago, when I volunteered for my local Historical Cemetery Association, the woman asked me how many community service hours I needed to do.  Apparently it's kinda creepy that I'm interested in re-finding my city's many lost historical cemeteries.  (I do have one re-find to my credit.)

--For the second time in a year, I decided very impulsively to have a yard sale the next morning, and it turned out very well.  Last year, I decided firmly at 2 a.m. to have one.  So I put up the signs by 8, for a 9-2 yard sale, and was still bringing out stuff from my garage when I got mobbed at 8:30.  I had to shoo people out of my garage; I even had to raise my voice at one lady.  When I had to put up another sign that fell down, someone watching the sale called and said that people were rifling through boxes in my garage.

--This year I had the signs up and I was back at 8:58 and kept everything in the garage until I got back, and still managed to bring most things out before people came.  But I forgot things in the attic, garage and washroom that I meant to put out, so it looks like I can combine that stuff, with even more stuff, and have another one this coming Saturday.  It's too late to reserve tickets for the newest Batman movie, anyway.  And who wants to see that with a ton of loud teenagers and mobs of other people?  I'll see it in a few weeks.

--Okay, so the surreal Salvation Army story.  My friend and I took my SUV full of my unsold yard sale things to the local Salvation Army, where I donated literally thousands of dollars of things last year.  Now, I know these guys have had a tough time, and I believe everyone deserves a second (and third, and fourth, and...) chance.  I've certainly needed several dozen.  And I've always had a good experience here.  These guys are usually very helpful, and normally sociable.  Sometimes they seem a bit morose and downtrodden, but that's expected of an ex-addict having a bad day.  (You should see me early in the morning when I haven't had my iced coffee.)  But this guy was just plain mean.  Not even rude.  Mean.  And he simmered with bitterness and anger.  His face was a bit pock-marked, round, and with scruffy facial hair that unfortunately made him look even more bothered.  So I back up the car and open the trunk door, and instantly the guy says, "We can't just take everyone's junk."  And he said it meanly, threateningly.  I was a bit taken aback, but I said that was fine.  How about I unload the car, and whatever he doesn't want, I just load back in?  He shrugs.  So I unload the car, and he says, "We won't take that," to many things, but with a bite of control.  Whatever.  No problem.  I wondered about a few things, like Christmas Tree tinsel, unused, still in the unopened box.  Nope.  "We won't take that."  Gruff.  Angry.  Fine.  I'm able to unload about 75% of the stuff I brought--first time it wasn't 100%--and I go into the store to fill out the form as my friend puts the other 25% of the stuff back in the car.  My friend told me later that they had this conversation:

Salvation Army guy: "You guys from around here?"
My friend: "My friend lives around here.  I spent some time here, but I grew up in Providence.  Now I live in Pawtucket."
Salvation Army guy: "I grew up here.  But I lost everything.  Now I have to live in Providence."

My friend tells me that he said this last part so angry and bitterly that my friend just shut up on a dime and put the stuff in the car.  So I return and the guy's just glaring at me.  I close the door and head to my side of the car when this woman approaches the guy and says she needs help unloading things.  He sort of glares at her.  She goes back to her car, a little gingerly, then walks back towards us with a box in her hands while her son backs up the car.  In her hands I see an Ionizer.  With zero intent whatsoever (Seriously.  I was in the midst of yet another sinus infection and my neighbor and I had spoken about our many infections the same day), I say to my friend, "I get around twelve sinus infections a year.  I should get one of those."  The woman immediately says to me, "Do you want it?  It's just been in storage for five years."  I'm flabbergasted.  I know the rule: Once it's on the property, it belongs to the Army.  As it should be: You can't have cars of people picking through things near the receptacles and just taking what they want for free.  And knowing how pissy this guy was already, I said, "I don't know.  I don't want to create any problems."  She said, "It's no problem.  I haven't brought it over there yet.  [We were about twenty feet from the receptacle at that point, and the thing was clearly in her hands.]  And I'm offering it to you.  I'd feel better knowing it's going to someone specific I know will use it."  (She says this like the thing had been her husband's, or someone, who had just died; she was emotional about it.)  I ask her if she's sure.  She says Yes.  As she's handing it to me, the guy twenty feet behind us bellows: "Once it's on the property, it's ours!  You can't take it!"  The thing's in my hands now as I look at the guy.  He is simmering with rage, and red in the face.  Before I can say anything, he said to the woman, "Did he take that from you?"  She said, "No.  I gave it to him.  It's fine; I want him to have it."  I felt terrible, and said to the guy, "Seriously.  She gave it to me.  I'm a good guy, really.  I wouldn't steal from the Salvation Army!"  I'm mortified and babbling at this point.

Now here's the worst part.  In the meanest voice I've ever heard (and I've heard many), and I mean the meanest--not sarcastic; not angry; not frustrated; but almost erupting with a flatlining monotone voice, I mean seething, like Tom's early male owner in the Tom & Jerry cartoons--this guy says to me: "Okay, you can take it.  You can take all your stuff back, too."  This is way out of control, so I put the thing on the ground near my stuff and say, "Hey, no problem.  Take it.  There's no problem here."

But the woman is so upset at the guy that she says to us: "Meet me over there in the Benny's parking lot," and picks the ionizer up off the ground, right in front of the guy (and maybe had a few words with him), as we drove away.  My friend's astonished.  So we park where she said, far away from the guy, and she gives it to me, after I asked her if she was sure she wanted to, and she said the thing was hers and she could give it to whoever she wants.

And that's how I almost got assaulted by an embittered Salvation Army guy.

Thursday, January 5, 2012

The Shunned House--H.P. Lovecraft

Well-written story that shouldn't be as well-received as it has been, even by me.  When people think of Lovecraft's good stuff, it fits this mold: bizarre delivery of a bizarre idea; local setting; big words and even bigger sentences; vague specificity; unfocused focus--and Providence.  Always Providence.  (You can read more about the guy in a previous blog entry, here.)  Scenes that could've been very scary--the disfigured people staring; the insane woman howling in the upstairs room--are mentioned briefly and done away with.  Instead the focus is on the basement dirt, the uncle, the foul odor, the tenants throughout the years who had died or gone insane.  And the elbow, of course.  Spooky stuff that seemed vampire-like are glossed over; how we got vampires from the giant evil residing beneath the sand floor is a mystery.  How acid poured on a giant elbow can drive away a giant evil--and in the form of a misty vapor--is just as confusing.

The story simply should not work.  But it does.  And well.  It is scary.  It is catchy.  It is fluent and stylistic and creepy.  It's got style.  Creepy style.  If only all of his stuff could have this quality, he would've been much more respected, much more published...His fans have been very kind to him as they continue to strongly celebrate the good and blissfully ignore the bad.  All fans do that, of course...but there's been a lot of bad.

This story isn't one of them.  It's a keeper.

Sunday, April 17, 2011

Lizzie Borden: Misunderstood? Part 2

http://upload.wikimedia.org/wikipedia/commons/5/59/Lizzie_Borden_Trial_Jury.jpg
Photo: Lizzie Borden's jury, from her Wikipedia page

--Lizzie was later seen to burn the dress she wore when they were killed.  This is unusual in of itself, and very suspicious, but especially considering that the family was so frugal, they often ripped up unused clothing to use as rags.  (It was also said they all got sick because the father insisted they keep a mutton stew that the maid said had gone bad.  The father was notoriously frugal.)

--There were no signs of struggle in the rooms, the bodies, or the clothes of the victims.  This most likely means that no one unknown to the victims accosted them.

--The stepmother was killed first.  The wound patterns show that her killer had to straddle her, thereby attacking angrily from the front, showing power by essentially sitting on her, and then exhibiting enraged overkill by killing her with a hatchet (not an ax) and inflicting 19 hatchet cuts in her face--and only in her face.  This shows that the murderer knew the victim and was exhibiting rage towards the victim.  The first cut was enough to kill, but 18 more followed to the face anyway, thereby obliterating the face, and, in a psychological way, the victim herself.  It was proven that Lizzie very much disliked her stepmother, telling tons of people that, and by constantly pointing out that she was her stepmother, not her mother.  That immense dislike--either because this woman had "replaced" her mother, or because she was going to receive the barns, properties and about $500,000 if the father died first--was manifest in the method of the crime.

--The father, killed second, was also a victim of overkill, in which the first wound was enough to kill, but was followed by 10 more anyway.  He was also attacked only in the face, which profilers say is indicative of a personal crime, for the reasons mentioned above.  But the difference here is that he was killed in his sleep, which profilers say is indicative of a killer who feels powerless in front of this person normally.  This victim, killed like this, is usually someone who so dominates the killer that the killer must kill him while the victim is asleep.  Think Claudius and King Hamlet here.

--Though not indicative of anything by itself, Lizzie was a known kleptomaniac around town.  Local merchants would quietly invoice the father and he would quietly pay them.

--Though never proven, the psychological aspects of the people involved hint at sexual abuse.  The father fits the profiling prototype of someone who would do so, and Lizzie fits the psychological prototype of someone who would be a victim of it.  This would explain the stealing, the anger towards the stepmother, the anger towards the father, and the anger that she would not benefit from her years of victimization when the stepmother inherited everything.  This is all circumstantial, but the authors I'm reviewing say that they have seen such prototypes and actions tons of times.

--The order of crimes is important.  Had the father died first, the properties and most of the monies would go to his wife.  If she died after him, all of that stuff would go to her family--not Lizzie and her sister.  But since she died first, all of that remains his, of course, but she and her family cannot inherit anything legally.  Then when he dies second, a will that was rumored to give his wife almost everything is null and void; all things therefore go to his daughters.

--Lizzie supposedly said she'd found her father's body, and asked the maid and a neighbor to go get the doctor and police.  Wouldn't she have left the house if she'd thought a crazed killer was still in the house?  Similarly, she asked the maid to then go upstairs and see if the stepmother had returned to the house, as Lizzie had said that she'd recently seen her return home.  Would the maid go up there if there was still a killer around?  Profilers say that the killer doesn't want to be the one to "find" the body, so Lizzie sending the maid upstairs to "find" the stepmother's body makes sense.

--Lizzie sent photos of her trial to the prosecutor after the trial, writing that he may like them "as souvenirs of an interesting occasion."  That's taunting, typical of this type of offender, especially when they feel they're getting away with their crimes.  It's a dare.  Or, in this case, a finger.

Misunderstood?  I don't think so, especially by the authorities of the time.  They knew they had the right one.  The jury didn't, of course.  Speaking of which, a few similarities between this and the O.J. trial:

--Both trial juries were over-influenced by bias, Lizzie's sexism and O.J.'s racism.  As an example of the sexism, a bucket of rags and blood were found in the house.  Lizzie said it was all from her periods.  Though this was doubted, several men stated in writing that they were not about to test it to make sure.  There are many other examples of this.

--Both were acquitted by a jury but convicted by the public before, during and after their trials.

--Both were referred to as "The Trial of the Century" by the media.

--Both people on trial offered huge rewards for the location of the real killer.

--Both rewards have never been taken.

--Both committed burglary after these trials.  Simpson is in jail for his; Lizzie stole a couple of inexpensive paintings from Providence, RI and had to pay a fine.

Saturday, April 16, 2011

Lizzie Borden: Misunderstood? Part 1

http://upload.wikimedia.org/wikipedia/commons/b/b5/Lizzie_borden.jpg

Image: Lizzie Borden, from her Wikipedia page

A new book by the curators of the bed and breakfast in Lizzie Borden's former house purports that she was "misunderstood" and that she was "probably not guilty."  The curators say that her private letters and the opinions of those close to her both point to the probability that she did not kill her father and stepmother in that house in the Victorian 1890s.  Also, they point out, the evidence was circumstantial, and the axe that she supposedly used had no blood on it, and the hair on it wasn't that of anyone in the family, including hers, her older sister's, or her father or stepmother.  And, after all, she was found not guilty.

I've read a bit on this case, and the work that stands out to me is Douglas's and Ohlshaker's The Cases that Haunt Us, which presents the facts, evidence, suspects and atmosphere of famous crimes, including those of Lizzie Borden, JonBenet Ramsay, Jack the Ripper, and others.  (I recommend this book immensely, and you can click on my Goodreads link above to read my review of it.)  Anyway, John Douglas, a popular profiler, is convinced that she did do it, and presents these reasons:

--If she didn't, who did?  Not a stranger breaking in: the stepmother had been killed 90 minutes before the father came home and got killed.  A stranger would not have been able to kill her, hide for 90 minutes with Lizzie, her sister Emma, and the live-in maid, all in the house, not seeing the murder or the stranger, and then kill the father with no one seeing or hearing it, and then leaving with nobody seeing him.

--Lizzie had the best motive of anyone: If the father died first and left everything to the stepmother, both daughters were worried that they wouldn't get anything from her.  This was a real possibility, as he was 70, very rich, and the probability that the stepmother would get everything was rather high.

--She'd said that during the murders, she'd been in the top loft of the barn, finding lead weights to make sinkers for an upcoming fishing trip.  But an officer soon went up there and found a heavy, undisturbed bed of dust on the floor.  No footprints at all to indicate that anyone had been up there.

--Lizzie changed from a blue dress to a pink and white dress while policemen were around.  What innocent person would be so unshocked that she would think to change up?  (And what kind of law enforcement would allow her to do so?)

--Bloodspots were found on her shoes and underskirts.  When asked to explain, she'd said it was due to her period, but later tests concluded that the underskirt was soaked from the outside in, not from the inside out.  (She'd called her period a "flea bite," a euphemism at the time.)

--Shortly before the murders, she'd tried to buy small amounts of poison from two pharmacies, neither of which would give them to her.  She'd denied being at these places, but a customer and pharmacist in one of them testified that she had been there.

--The morning of the murders, Lizzie, her sister, the maid, the stepmother and the father had all complained of bad stomach pains and other illness.  The father had to stop his morning business at his properties because, as he told a few people, he felt very ill.  They testified that it was very unusual for him to stop business due to any illness.

--Not evidence, just weirdness: The coroner wanted to do another autopsy, so after the funeral, he took the bodies, cut off the heads, unfleshed them and did his tests.  Then the heads were reburied with them, but at their feet!

To be continued in another post...