Note: This is Part 2 of the movie review for Get Out. Yesterday's Part 1 is here.
Photo: from the movie's Wikipedia page. This is what white people like me, whatever that means, thought racists were when I saw this movie in 1988. Turns out, it's a lot more complicated than that. By the way, this movie has more relevance now than it should, so see it if you haven't. And don't expect factual accuracy. It's a depiction, a cinematic dramatization in broad strokes. It's not a documentary.
Yet Get Out says that the awareness of the...nervousness, or political-correctness, or even the awareness of the awareness of a biracial couple...is in fact part of the problem. Which of course it is. Maybe someday we'll live in a country where a biracial couple simply doesn't raise any eyebrows, anywhere, in any kind of person, pro or con, friend or foe. That isn't going to happen soon, since we've taken two steps back in this country, but we'll see.
But you can see maybe why this was such a ballsy movie to make. Especially today. Now, cynics that we usually are, we'd expect this movie to maybe--or maybe not--do okay its first weekend, maybe for interest or shock value, and then disappear once blockbusters like Kong and Logan are released at the same time.
But I'm happy, and a little surprised, to say that it hasn't happened. It's hanging in there, in third place, right with those films. It's grossed over $100 million--on a budget barely over $4 million. Considering that, it's so far been more of a financial hit than Kong: Skull Island or Logan. That's saying something.
And it should be. It is (uncomfortably) funny--but it won't be for those who don't think biracial couples, or the reaction they can elicit from others, is funny. Frankly, if you're racist, you're not going to like this film. But I suspect racists know that, and are staying far away. I've seen shockingly scant mention of it from them in the news and on the internet, but then I'm not an internet crawler. Also, it's a good horror flick, once you get by the horror premise, which you're not really supposed to take seriously to begin with. There is actual unease and tension and suspense. Strangely so, for me, and it wasn't scary, exactly, for me, like other horror films have been. Like, The Exorcist, or The Silence of the Lambs.
So it's a ballsy film, and it's a good film, and it's doing really well, which means it's hit a nerve somewhere, and found a niche. You can expect to see more films like this now, perhaps not as good.
I will leave you with some positive reviews of the movie, which are written more succinctly than this one. They're all taken from the movie's Wikipedia page, which you can click on here.
Richard Roeper gave the film 3.5/4 stars, saying, "[T]he real star of the film is writer-director Jordan Peele, who has created a work that addresses the myriad levels of racism, pays homage to some great horror films, carves out its own creative path, has a distinctive visual style — and is flat-out funny as well." Keith Phipps of Uproxx praised the cast and Peele's direction, noting: "That he brings the technical skill of a practiced horror master is more of a surprise. The final thrill of Get Out — beyond the slow-building sense of danger, the unsettling atmosphere, and the twisty revelation of what’s really going on — is that Peele’s just getting started." Mike Rougeau of IGN gave the film 9/10, and wrote: Get Out's whole journey, through every tense conversation, A-plus punchline and shocking act of violence, feels totally earned. And the conclusion is worth each uncomfortable chuckle and moment of doubt." Peter Travers of Rolling Stone rated Get Out a 3.5/4, and called it: "[A] jolt-a-minute horrorshow laced with racial tension and stinging satirical wit." Scott Mendelson of Forbes praised how the film captures the current zeitgeist called it a "modern American horror classic".
So if this sounds good, or if you like horror/comedies, go see it.