Note: This blog is a second part of yesterday's blog entry.
Photo: Tom Hiddleston, Brie Larson, John C. Reilly, and the Skull of One of Kong's Parents, from this IMDb page.
Brie Larson (who infamously stood, without applauding, as Casey Affleck won his Oscar for Best Actor just last month. This was the other thing that telecast was known for, besides the texting Price/Waterhouse fool screwing up the last Best Picture award) has come into a lot of criticism for accepting this role after she won the Oscar last year for Best Actress (for Room; and she's soon to appear as Jeannette Walls in the movie of Walls's excellent memoir, The Glass Castle) in a much more serious and important film, but what the hell is that about? Oscar or not, if you're a woman in Hollywood and you're given a role that may become a shot at a franchise and a chance to make big bucks in three or four movies, don't you take that? With the length of women's careers in Hollywood, and the lack of roles that don't involve some sort of nudity or inadvertent (or purposeful) sexism, don't you take a role that might lead to a few more movies and big paychecks in which you at least get to do your own running around, and no guy grabs your hand and makes you run with him? Yup, I sure do. She did. Plenty of guys have in such film franchises, right?And who says she had a ton of other better offers at the time? Ridiculous and sexist criticism against her here. She's an actor making a living. No more, no less. Why does it have to be anything else? Drives me nuts, our society's and culture's attitude towards women. Nobody criticizes guys who always take such roles, but who are capable of better, right? Tom Cruise, Mel Gibson, Bruce Willis and more have gone that route. Willis especially could've done great supporting work in films as good as his Nobody's Fool, for example, and Tom Cruise's best work have been in films like Jerry Maguire, Rain Man, and Born on the Fourth of July. But these guys, and many others, have made the action flicks and the big bucks, and nobody criticizes them. You would think movie critics, who get paid to know movies more than I do, would realize this and not say such crap about women--in this case, Brie Larson. I say, it has made me mad. ::takes a breath:: ::gets over it::
Photo: Brie Larson, from Kong: Skull Island, ready to shoot a flare at her next sexist critic. Or at Casey Affleck. (Sorry.) From IMDb.
Well, a little off track here...Let's reel it back in.
After a brief foreward of sorts, the set-up for the rest of this movie is pretty standard: the characters are told they'll be dropped off at the southern tip of the island, and picked up three days later at the northern part. At this point, even a three-year old can see that they'll get trapped on the island, and have to fight their way through it for three days before they're rescued. That's the set-up, in typical action-flick fashion. When they drop bombs to see if the island is hollow and safe (???), you would expect problems, and you get them, and unless you have a heart of stone, you probably feel the characters deserve what they get. I mean, they were dropping bombs on an island where they knew living beings existed, and if you don't get the Viet Nam political message there, then I can't help you at all with this review. (The movie takes place during the Viet Nam War and involves Viet Nam soldiers. Did I mention that?) So the crap hits the fan, and you know there's going to be a lot of mayhem and running around, which there is. In truth, there's probably nothing in this movie you haven't seen before, but it does it so incredibly fast and well, with some shots that will really impress you, especially when creatures stand in front of an apocalyptic firebomb, etc. to express menace and danger...Well, you've seen it before, yes, but probably not this well. And fast. And fun.
Plus, there's a little more...tomorrow.