Showing posts with label Republican. Show all posts
Showing posts with label Republican. Show all posts
Wednesday, July 12, 2017
They Lie -- Fake News on the Radio
Photo: Original 1st Edition of the hardcover, from the book's Wikipedia page
One of my (many) personal catch-phrases that I say (perhaps way) too often is: "It's not that I don't really trust anyone, or anything...It's just that I don't really trust anyone--or anything." Occasionally I've wondered if maybe I'm being a little too paranoid or cynical. But then this past week happened. The last 10 days or so have blissfully reinforced my outlook. I've been emboldened, and it seems to me that I'm right, sadly but surely, that everywhere around us are "Lies! Lies!" (Those quotes were for a friend of mine. Those two words are amongst his favorite catch-phrases.)
So here's one of the lies flung at me recently:
1. A radio station commercial that sounds like a newswoman reading a report, but which is actually a commercial for an organization that represents the National Republican Party.
If you're in RI, listen in to B101. (And, no, that's my better half's preferred station, not mine. I don't have a preferred station. I mostly listen to CDs and YouTube.) Anyway, here's what this woman says. In a newscaster's tone, she tells us that 80% believe that the news about Trump and Russia is overblown and that we should all just move on. (This is before we knew that Trump Jr. sold his soul to that devil.) She then says that 75% believe that it is wrong for a foreign leader to mock our president.
But...80% and 75% of whom, exactly? She doesn't say. Now if she'd said the 80% came from 8 out of 10 Republicans polled, I'd believe that. And 80 out of 100. Or 800 out of 1000. Or, hell, even 4 out of 5. That's the number of dentists from that commercial, right? (Watch out for numbers. They don't lie, but they can be manipulated. You ever notice that polls--during ballgames, for example, when they ask a seemingly random and irrelevant question and then tell you to text your answer--are always gauged by percentage and not whole numbers? Because they don't want you to know that only 5 people texted, or only 10 people were polled. So, yeah, 4 out of 5 and 8 out of 10 are 80%, but is that a relevant stat?
Photo: from qz.com, (which got it from the Associated Press), as is the quote in quotation marks:
"This meeting was the one in which Trump gave highly classified information to Russian foreign minister Sergey Lavrov and ambassador Sergei Kislyak."
Another thing: If that woman is saying that 80% of the country--across all political lines--think that we need to move on from this Trump-Russia thing (Notice I didn't use a slash there, like Trump/Russia, because those two really are connected.), then I assure you that's straight-up BS. Lots of Republicans are wary and leery of Trump & Russia, so I'll bet that more than 20% of them would say it needs more looking into. And I double-dog assure you that if even all of the country's Republicans believed the news is "fake news"--which is not the case--then you still need a very high percentage of Democrats and Independents to feel the same way in order to make the 80% stat accurate. Do you honestly think that about half of all Democrats and Independents think that way? That's a "Hell, no!" no matter what your opinion is on the Trump-Russia issue itself.
Why the ad that sounds like a newscast? LIES! That's for the people who believe what they hear (Mistake 1) and who don't think about what they read or hear (Mistake 2) and who then tell others what they hear and relay it as fact when it isn't (Mistake 3).
Who made that ad? Well, who has the most to gain by it? C'mon, isn't that creepy? That's right out of Animal Farm, and it's scary. (And shame on you if you don't know the reference. Animal Farm and 1984 should be required reading right now.) That's shady people working for shady politicians who are shadily using the media (in this case, the radio) to spread falsity and lies to benefit themselves and to give themselves more power. That should frighten and anger you, and if it doesn't, well, that's what they're counting on.
And a fake newscaster saying fake stats like it's news? Yeah--that's literally "fake news," people. And from the very people who swear it's being used against them. These people are slimy. I need to take a shower just having to think about these people. But think I do, and you should, too.
Please let me know if you've heard this ad, or something like it. Share your story.
Next time on "They Lie": furniture mailings that push "interest-free monthly payment options" more than their furniture, and a mortgage company insisting they're holding a really low interest payment percentage for me that's actually higher than the one I already have.
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Saturday, March 18, 2017
Get Out -- A Movie Review, Part 2
Note: This is Part 2 of the movie review for Get Out. Yesterday's Part 1 is here.
Photo: from the movie's Wikipedia page. This is what white people like me, whatever that means, thought racists were when I saw this movie in 1988. Turns out, it's a lot more complicated than that. By the way, this movie has more relevance now than it should, so see it if you haven't. And don't expect factual accuracy. It's a depiction, a cinematic dramatization in broad strokes. It's not a documentary.
Yet Get Out says that the awareness of the...nervousness, or political-correctness, or even the awareness of the awareness of a biracial couple...is in fact part of the problem. Which of course it is. Maybe someday we'll live in a country where a biracial couple simply doesn't raise any eyebrows, anywhere, in any kind of person, pro or con, friend or foe. That isn't going to happen soon, since we've taken two steps back in this country, but we'll see.
But you can see maybe why this was such a ballsy movie to make. Especially today. Now, cynics that we usually are, we'd expect this movie to maybe--or maybe not--do okay its first weekend, maybe for interest or shock value, and then disappear once blockbusters like Kong and Logan are released at the same time.
But I'm happy, and a little surprised, to say that it hasn't happened. It's hanging in there, in third place, right with those films. It's grossed over $100 million--on a budget barely over $4 million. Considering that, it's so far been more of a financial hit than Kong: Skull Island or Logan. That's saying something.
And it should be. It is (uncomfortably) funny--but it won't be for those who don't think biracial couples, or the reaction they can elicit from others, is funny. Frankly, if you're racist, you're not going to like this film. But I suspect racists know that, and are staying far away. I've seen shockingly scant mention of it from them in the news and on the internet, but then I'm not an internet crawler. Also, it's a good horror flick, once you get by the horror premise, which you're not really supposed to take seriously to begin with. There is actual unease and tension and suspense. Strangely so, for me, and it wasn't scary, exactly, for me, like other horror films have been. Like, The Exorcist, or The Silence of the Lambs.
So it's a ballsy film, and it's a good film, and it's doing really well, which means it's hit a nerve somewhere, and found a niche. You can expect to see more films like this now, perhaps not as good.
I will leave you with some positive reviews of the movie, which are written more succinctly than this one. They're all taken from the movie's Wikipedia page, which you can click on here.
Richard Roeper gave the film 3.5/4 stars, saying, "[T]he real star of the film is writer-director Jordan Peele, who has created a work that addresses the myriad levels of racism, pays homage to some great horror films, carves out its own creative path, has a distinctive visual style — and is flat-out funny as well." Keith Phipps of Uproxx praised the cast and Peele's direction, noting: "That he brings the technical skill of a practiced horror master is more of a surprise. The final thrill of Get Out — beyond the slow-building sense of danger, the unsettling atmosphere, and the twisty revelation of what’s really going on — is that Peele’s just getting started." Mike Rougeau of IGN gave the film 9/10, and wrote: Get Out's whole journey, through every tense conversation, A-plus punchline and shocking act of violence, feels totally earned. And the conclusion is worth each uncomfortable chuckle and moment of doubt." Peter Travers of Rolling Stone rated Get Out a 3.5/4, and called it: "[A] jolt-a-minute horrorshow laced with racial tension and stinging satirical wit." Scott Mendelson of Forbes praised how the film captures the current zeitgeist called it a "modern American horror classic".
So if this sounds good, or if you like horror/comedies, go see it.
Photo: from the movie's Wikipedia page. This is what white people like me, whatever that means, thought racists were when I saw this movie in 1988. Turns out, it's a lot more complicated than that. By the way, this movie has more relevance now than it should, so see it if you haven't. And don't expect factual accuracy. It's a depiction, a cinematic dramatization in broad strokes. It's not a documentary.
Yet Get Out says that the awareness of the...nervousness, or political-correctness, or even the awareness of the awareness of a biracial couple...is in fact part of the problem. Which of course it is. Maybe someday we'll live in a country where a biracial couple simply doesn't raise any eyebrows, anywhere, in any kind of person, pro or con, friend or foe. That isn't going to happen soon, since we've taken two steps back in this country, but we'll see.
But you can see maybe why this was such a ballsy movie to make. Especially today. Now, cynics that we usually are, we'd expect this movie to maybe--or maybe not--do okay its first weekend, maybe for interest or shock value, and then disappear once blockbusters like Kong and Logan are released at the same time.
But I'm happy, and a little surprised, to say that it hasn't happened. It's hanging in there, in third place, right with those films. It's grossed over $100 million--on a budget barely over $4 million. Considering that, it's so far been more of a financial hit than Kong: Skull Island or Logan. That's saying something.
And it should be. It is (uncomfortably) funny--but it won't be for those who don't think biracial couples, or the reaction they can elicit from others, is funny. Frankly, if you're racist, you're not going to like this film. But I suspect racists know that, and are staying far away. I've seen shockingly scant mention of it from them in the news and on the internet, but then I'm not an internet crawler. Also, it's a good horror flick, once you get by the horror premise, which you're not really supposed to take seriously to begin with. There is actual unease and tension and suspense. Strangely so, for me, and it wasn't scary, exactly, for me, like other horror films have been. Like, The Exorcist, or The Silence of the Lambs.
So it's a ballsy film, and it's a good film, and it's doing really well, which means it's hit a nerve somewhere, and found a niche. You can expect to see more films like this now, perhaps not as good.
I will leave you with some positive reviews of the movie, which are written more succinctly than this one. They're all taken from the movie's Wikipedia page, which you can click on here.
Richard Roeper gave the film 3.5/4 stars, saying, "[T]he real star of the film is writer-director Jordan Peele, who has created a work that addresses the myriad levels of racism, pays homage to some great horror films, carves out its own creative path, has a distinctive visual style — and is flat-out funny as well." Keith Phipps of Uproxx praised the cast and Peele's direction, noting: "That he brings the technical skill of a practiced horror master is more of a surprise. The final thrill of Get Out — beyond the slow-building sense of danger, the unsettling atmosphere, and the twisty revelation of what’s really going on — is that Peele’s just getting started." Mike Rougeau of IGN gave the film 9/10, and wrote: Get Out's whole journey, through every tense conversation, A-plus punchline and shocking act of violence, feels totally earned. And the conclusion is worth each uncomfortable chuckle and moment of doubt." Peter Travers of Rolling Stone rated Get Out a 3.5/4, and called it: "[A] jolt-a-minute horrorshow laced with racial tension and stinging satirical wit." Scott Mendelson of Forbes praised how the film captures the current zeitgeist called it a "modern American horror classic".
So if this sounds good, or if you like horror/comedies, go see it.
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Friday, March 17, 2017
Get Out -- A Movie Review
Photo: from the movie's Wikipedia website
Get Out was a ballsy movie to make, considering our present climes. It's a horror movie with a good horror movie ending, but this is no horror movie. It's also a comedy with a message about racism that doesn't hit you over the head, or preach at you. This makes it even more effective. This movie tries to do for racism what Rosemary's Baby and Stepford Wives did for sexism, and it largely succeeds because Jordan Peele, Get Out's producer/director, was aware of those two movies. There's a bit of Kubrick's (and not King's) The Shining in there at the end, too, but luckily that guy doesn't end up like Scatman Crothers did.
I saw this with my better half, and we're both white. (I'm as boring, suburban white as Wonder Bread, but not as fluffy or as wholesome.) We sat next to a bi-racial couple, one white and one black, which is pretty rare for my suburban-hell neck of the woods. (See the movie juxtaposition I made there?) Normally this would not be relevant, but, unfortunately, for this review, and for this movie, it is. Just a sign o' the times.
A quick review of the movie: After a quick prologue of a young black man getting kidnapped, another young black man (the main character) and his pretty white girlfriend are off to a rural home to introduce him to her family. She hasn't told them he's black, by the way, which you know is not going to turn out well.
So the racial theme comes and it's played for laughs. This is ingenious, and if you think Peele is only playing it for laughs, then you don't know what kind of serious cultural change laughs can do. Like, All in the Family and Richard Pryor changed some views in the 70s and 80s. The point works because it's played funny. And in the funny, we feel the tension and disquiet, and realize it's not funny. This is a good movie for a collegiate class about film, comedy and horror. I'm going to let the following critic of The Guardian tell it, because I'm just fumbling here:
Lanre Bakare of The Guardian commented on this, saying, "The villains here aren't southern rednecks or neo-Nazi skinheads, or the so-called 'alt-right'. They're middle-class white liberals. The kind of people who read this website. The kind of people who shop at Trader Joe's, donate to the ACLU and would have voted for Obama a third time if they could. Good people. Nice people. Your parents, probably. The thing Get Out does so well – and the thing that will rankle with some viewers – is to show how, however unintentionally, these same people can make life so hard and uncomfortable for black people. It exposes a liberal ignorance and hubris that has been allowed to fester. It's an attitude, an arrogance which in the film leads to a horrific final solution, but in reality leads to a complacency that is just as dangerous."
In other words, the target audience was, in some ways, people like me, who like to think they're racially aware, and who like to think they're helping the cause, in whatever way they can. Now, I'm not liberal like this passage, thank God, but I do donate to the ACLU and I would've voted for Obama again. I don't shop at Trader Joe's. (In fact, I don't do the food shopping at all, because I'd buy just cereal, bananas, apples, blueberries, and green olives.) But it's also true that I don't know how to relate to someone who's a victim of racism. For example, I realized in my last movie review that I didn't even see why Joseph Conrad's Heart of Darkness was racist itself (an irony, since it effectively shows how racism is a [see title]) until I read Chinua Achebe's speech about it. (Achebe was kinda right, kinda not, but more right than not. And, by the way, who am I to speak about racism?)
This is the point of the movie, which is hidden in trappings of comedy and horror. I can speak of racism only in the sense that I've seen it; I've written and spoken against it; I don't know what the hell it's all about; I don't know why so many people deny it exists; I don't get why people don't understand why African-Americans and other minorities are angry; I don't get why Samuel L. Jackson says Daniel Kaluuya, the main actor, isn't "black enough," and I don't get why I don't get that, because I get what such people think it means; and I also realize that I don't know enough about it to criticize Samuel L. Jackson, which I also realize isn't a smart thing to do to begin with, about anything at all, because he's scary. I used to think that racists only lived in the South, in a Mississippi Burning kind of way, but now I see that it's everywhere, including in the recent court decision about how Texas unconstitutionally re-districted itself to disillusion minority voters; about how voting ID laws in many states--including those as far north as PA and North Carolina--were purposely passed by Republicans to make it harder for the poor (reads: Democrat) to vote. I see that racism exists, or used to, in zoning laws, for God's sake, around here.
And in truth, Get Out is probably a more realistic depiction of racism than Mississippi Burning ever was. Maybe. Who am I to say?
This movie review of Get Out concludes tomorrow...
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Saturday, October 22, 2016
All (as of 10/16) of Trump's Bullying and Biased Quotes in One Place and with Links 2
Photo: from a Wall Street Journal article about what a "sane Donald Trump" would be like. But, it says, when it comes to Trump ignoring a tally on November 8th that says he lost, "...Does he know he's playing with fire? No. Because he's a nut."
Just like the title says. You can find #1 through #5 at my last blog entry--just click here.
Again, the following quotes come from a recent Washington Post article that outlines its closing statement about the Presidency. Well, as of 10/16, anyway. Each point has its own link back to the article and the appropriate YouTube video, for your reading and viewing convenience. To finish up:
6. "Written by a nice reporter. Now the poor guy. You ought to see this guy." November 24, 2015.
This is Trump mocking and mimicking a physically disabled New York Times reporter. You have to see this to fully appreciate how horrible it was. Click on this link to go to the article, then scroll down to #6 to see the video.
I never thought I would see a candidate for President of the United States mimicking a handicapped person. I'm talking arms flailing, body twisting, stuttering--everything. Again, this is bullying, plain and simple. And it's behavior that, frankly, a President should not have. We're above this, aren't we? By the way, this reporter's crime? He wrote an article negative about Trump. Is this what a grown man does in response to such a thing, mimic and mock another man's physical disability? A teacher wouldn't tolerate this behavior in a classroom, but we'd tolerate this behavior in the President?
This is also unforgivable. We do not mock and mimic those less fortunate than ourselves. And we learn to control our adolescent behavior, especially when we're running for President and speaking to the world. If he can't do that in a press conference for his own campaign, how is he going to be appropriate during a meeting with a leader from the Middle East, or from Russia, that's not going well?
7. "Putin's running his country and at least he's a leader." December 18, 2015.
Putin is also guilty of more civil rights violations than any other Russian leader in recent memory. His critics have a bad habit of mysteriously and permanently disappearing. He is undoubtedly behind the hacking of the Democratic (and probably Republican) Party's computers--and Trump openly suggested that he hack into them again. I can't recall the last time I heard an American politician openly asking a foreign (and possibly antagonistic) leader for aid in bringing down his political opponent--to the point that such an attack would be espionage and a major attack on our government.
This is careless beyond belief. And his cozying up to Putin is gut-churning and worrisome. If Trump is as much of a puppet to Putin as he is to his two (thuggish) sons and to Steve Bannon, then there's something very, very wrong. Even as a candidate, an alliance with Putin is treason, as Trump is right now privy to our nation's secrets and plans. Think about that last sentence for a moment.
8. "I'm going to open up our libel laws." February 26, 2016. AND "This judge is of Mexican heritage. I'm building a wall." June 3, 2016
Besides the obvious racism and bigotry (and isolationism, always a bad thing) of the second statement, what we have here is a classic case of Trump not knowing what he's saying. He would fail a middle school history class. The fact is, he can't, even as President, change any laws or build any walls--especially one that would cost billions and strain an already strained relationship with a neighboring country. Now, understand, he doesn't even mean these things. But even if he did, he has to get both of those policies through Congress, and that's not going to happen. The point is, he doesn't know that. He thinks the Presidency is a tyranny, and he'd be the King. But our democracy is purposely designed so that's not the case. No one person can declare War, or spend billions of federal dollars, or suddenly and drastically change judiciary laws. Congress does the first thing, and the Supreme Court does the last. And there's 9 judges there, and he only gets to place one right now.
Many of his supporters don't know this. Many racist people will vote for Trump because of this wall that he cannot possibly ever put up, and they're as ignorant of that as they are of anything racial.
But we're not. America needs to show it's not racist, and that it's not ignorant of how its own government works. We need to show that a politician cannot use fear, hatred and racism (the three always go together) to win the Presidency.
9. "Look at my African-American over here." June 3, 2016. See above. Need I say more?
10. "I alone can fix it." July 21, 2016.
This is how Fascism can come to America. I used to wonder how a country like Germany, a country that had the most brilliant universities, scientists, philosophers and writers of its time, all in one place, could ignore its intelligence and put someone like Hitler in power.
Now I know. Now I get it. We're one step away from doing that ourselves. I just said that. Out loud.
But so has The Washington Post, The New York Times, USA Today, and even Dubya Bush, for God's sake. (This is the first and last time we'll agree on anything.) Millions, thank God, have spoken out.
But this is how it's done. An egomaniac, a hater, a bully, a tyrant, a Democratic old-lady stage-stalker convinces enough like-minded folks to put him in power and then he does all those crazy things. He says that he is the only one who can fix everything. Him. That's it. The only one. The demi-god. The God-in-his-own-mind. This is what Hitler did. He took a very angry nation, simmering in rage about its defeat in World War One, and he told it that he alone can make everything right again. He gave them someone to fear and hate (Jews) like Trump has (Mexicans and women). Like other tyrants, Trump said that everyone who disagreed with him (political figures, newspapers, television reporters, and even parents of fallen soldiers) were in secret conspiracy against him. And that's why there's no proof, because they're all in secret conspiracy. (Many of his supporters have to believe in secret conspiracies.) According to the latest poll, 40% of the country is like this. (This is scary in of itself.) He riles them all up, appeals to their base emotions and then he bullies everyone else into submission. Those who don't submit--like his political opponents--he threatens to throw in jail, or he threatens violence against them. Sound familiar? Trump has done both against Clinton. That's what other countries do, not us. That's what America has always prided itself in--we don't act like the tyrants of other countries, especially after Election Day. This is the sole reason Ford pardoned Nixon. If elected, with all that power, is it so unreasonable to suggest that Trump would go one small step further and actually do those things he's threatened? His supporters, of course, want this. They want a tyrant.
America and Britain let Hitler do this, even though they knew the danger. I don't see powerful countries sitting by this time and watching that happen. Britain has already banned Trump, and NATO and the United Nations have already passed policies in advance of our election--just in case.
The rest of the world is looking on in horror. Trump would shrug that off, and say that the rest of the world doesn't matter. But it does. Look at history. Look at what happened to countries that elected a tyrant and then isolated itself. Didn't turn out well, either for that country or for the world in general.
I'm not normally like this, especially politically. (I'm not normally that political in general.) I don't normally think the sky is falling. I don't live my life in fear.
But it has come to that. Again, I'm not the only one saying so. And I'm not some moralist, a guy who judges everybody, or someone who thinks you have to be a saint to be President. I voted for Bill Clinton, after all, though I wouldn't want any daughter of mine to date someone like him. But Clinton, for all of his (many) faults [the largest of which was to ignore the Cole attack, by the way], was not a world-wide danger. Countries didn't ban him. He wasn't racist, or bigoted, or a bully. I didn't worry that he knew where our nukes were because I didn't think he'd want to use them. Trump, for Heaven's sake, would use them on Mexico, or perhaps on the next national NOW meeting. (I'm kind of exaggerating there--I hope.)
And that's the problem. I'm not sure I'm kidding. Seriously. The comparisons are too obvious and real to ignore. The examples are too frequent and too crystal clear. He is that much of a hater, a bigot, a racist and a tyrant. The U.S. and the world can probably survive him, but are we totally sure? Do we want to put the world at risk to find out?
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Monday, October 10, 2016
Even More Reasons Not to Vote for Trump -- The Tape and the Looming
[By the way, is anyone else getting DONALD TRUMP WON THE DEBATE--VOTE HERE ads from his campaign, and then--right beneath it--seeing an article about how his wife is offended by his remarks, or about how women were aghast at his attempt at physically intimidating Hilary, or about how Paul Ryan (the leader of his own party) won't support him or campaign with him? I wish I could do a screen grab of that and just post that here. Anyway...]
Recent blogs about why you shouldn't vote for Trump are here, here and here. If you need more, here you go:
--Women really bother him. He really hates and fears them.
There's the tape with Billy Bush, of course. Won't go there. You've probably read it or heard it already.
But what's really scary about the tape isn't just that he said what's on it--which is bad enough. It's that he--
1. Refuses to apologize for it; and
2. Dismisses it as "locker room talk."
First, he refuses to apologize for it. This is incredible because--even if he doesn't mean it--it's the politically correct and politically appropriate thing to do. You know his daughter, who's very smart, and his wife, who's very embarrassed, told him to do so. You know Paul Ryan told him to. You know every Republican and every woman he knows told him to.
And he still didn't.
Which tells me that, in addition to the myriad of his mental health issues I've already gone over (Narcissism, misogyny, xenophobia, paranoia, denial, tunnel vision, hatred, fear, bullying, closedmindedness, delusional behavior, self-deluding, and sociopathic lying), we can now add Oppositional Defiant Disorder. Yes--he'll not do something, even if it's in his own selfish self-interest, simply because you told him to do it. If he's not the one to tell himself to do something, he ain't doing it. Even his daughter (who he should listen to), his wife and his political advisers have no power.
Secondly, his comments on that tape with Billy Bush are NOT "locker room talk." And it's disturbing that he thinks it is, and that he can so easily dismiss it as such.
Trust me: In high school, in college and while being a former bad ballplayer, I've been in my share of locker rooms, and I've heard lots of stupid guys say all sorts of bad things.
But not like this. Locker room talk involves lots of f-bombs, and maybe an inappropriate remark about someone's body part. (Not necessarily a woman's.) Maybe in a very immature way (especially in college, surprisingly) there would be a sophomoric reference to someone's sister or mother.
And, if Trump is referring to locker room talk in workout gyms...well, those often involve such riveting subject matter as "reliable babysitters," "Does anyone have some Tylenol?" and "You have a great chiropractor? Can I have his number?" But usually there's no talk at all. Guys are quickly changing up to go home or to go to work.
That's not what was in the tape. The tape was him bragging to (an incredibly stupid and social- climbing) Billy Bush about how he has fantasized about groping married women under the pretense of taking them furniture shopping.
Yes. Read that again.
Does that sound like "locker room talk" to you? It isn't. It's sexual assault talk.
By the way, Trump really means the locker rooms of CEOs and other priveleged, above-it-all rich white guys. Guys who've had too much to drink and who're basking in their own glory. Guys who feel trapped by their wives or girlfriends, who they might not even like. Those are the locker rooms Trump means. To be frank.
While we're on the subject of his attitude towards women--which is downright scary and insulting, and I can't understand why a single woman would vote for him--let's look at the way he was stalking and looming over Hilary Clinton during the second debate:
For my job, and just by knowing a lot of women and hearing their stories, I can tell you that this is a sociopath's way of intimidating, scaring and bullying women. Men who abuse women do this. But don't just take my word for it. I'll end this blog entry with words from women themselves, taken from the address below, which you can just click to see a short article:
http://www.msn.com/en-us/news/politics/social-media-responds-to-trump-looming-behind-clinton/ar-BBxdAEI
#FreeBresha @prisonculture
Honestly Trump stalking behind Clinton is making me feel super uncomfortable. Like knots in my stomach discomfort.
Trump is trying to physically intimidate her by standing behind her and I want to vomit
Trump lurking behind HRC like a Komodo dragon.
why is trump standing right behind her like that, his body language reminds me of every abuser i've ever encountered.#debate
Note to my male friends who might not realize: Trump's standing behind her is a bullying tactic. Abusive men do this to us all the time.
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