Showing posts with label Mexican. Show all posts
Showing posts with label Mexican. Show all posts
Monday, March 20, 2017
Caleb's Crossing by Geraldine Brooks -- A Book Review
Photo: cover of the paperback book, from its Google.com page.
Very, very well-written account of a young girl's life on Martha's Vineyard and in Cambridge, Massachusetts in the 1660s. Though the book is more known to be about the first Native American to graduate from Harvard College, it is really about this girl and her Puritan family. Narrated by Bethia, the book is a comparison between her life as an Other, and that of a native Wampanoag named Cheeshahteaumauk, called Caleb by Bethia's family after his Indian family dies of disease, probably smallpox. (He dies of disease, too, of consumption, not long after he became the first Native American to graduate from Harvard College.) This is a book, like all her others, to read and enjoy, and to learn from and emulate if you want to be a writer. I can someday hope to become nearly as good--though that is doubtful--but I cannot become better.
Bethia loves life on the island, despite its hardships. Let me rephrase: She loves the island more than she loves her life on it. Her chores and responsibilities are endless. She loses her parents and her younger sibling, all three in horrible ways. She can read and write and she has intelligence and opinions--all bad in 1660s Puritan Massachusetts, especially on the island. Her daily life, with and without her best friend Caleb, and her family, are equally interesting and distressing to read about.
She follows Caleb and her older brother to Harvard. Her brother is next in line to lead the family and to become a preacher like their father. Except, he's not intelligent, not good in the ways of leadership or human nature. He can't read as well as she, and he can't learn the Bible's languages as well as she. In fact, she's a helluva lot smarter than he is, and they both know it. In fact, Caleb, the "salvage," the other and the lesser in that time, is also smarter than he is in all of these things, and he knows that, too. Despite all this, Bethia goes to Harvard with them because it is her indentured servitude that will pay for her brother's education there, so that he can become more in their society than she can, though everyone knows she deserves it more. She steals a bit of an education while she can, eavesdropping on lessons, learning from the other students, etc., but it is not a life she is destined to overtly benefit from.
In lesser hands, Bethia would fall in love with Caleb, and run away with him, and such, but these are not ordinary hands, and she does not do this. Bethia as a child was confused about her true feelings for Caleb, and maybe she did have what we would call a crush on him for a few years, but overall she outgrows that, and they become perhaps even closer, a brother and sister that would have continued had he not died. She leaves with another man, rather happily, from that Harvard disaster, and lives in Italy for a time, before she comes back and sees Caleb in his final days. The book is told in three parts, the last of which is a bit more sad than perhaps it needed to be, but who am I to judge? It's all enthralling. You'll feel like you're there, and you'll care about everyone.
Brooks clearly is painting a parallel between Bethia's life in 1660s Puritan Massachusetts and that of women in 2000s America. She does this in every work, and continues to do so here. As usual, it is not overt, or heavily done, and you don't feel preached to. This outlook, again as usual, enhances the story and does not detract from it. In fact, that cultural comment is not the story. As always, her story is her story. Bethia and Caleb, two others in a career-long character list of strong others, are her vehicles to tell this story. They themselves are not the story, per se. This is a distinction that all writers trying to say something should understand: your characters tell the story, but your characters are not the story. They drive it, of course; the story is not a river and they the mere floaters. But the story is the tide, and the characters either swim with it, or they swim against it. Brooks is excellent--here, and especially in March, her Pulitzer-winner--at showing the tides of the times she sets her stories in. It is one of the many things she does masterfully.
So this book is a story of the time, but also of our time. There is an other of every time, as we see today. I suspect maybe a female of African-American or Mexican descent is writing a good book about that as I type this.
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Sunday, January 29, 2017
We Are Everyone, From Everywhere. We Do Not Ethnically Cleanse.
Photo: the Lady Liberty posted by Rihanna, Mandy Moore, Jessica Alba, and others after The Ban. From this website via The Daily Mail.
"Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!"
Just not after January 28th, 2017, I guess.
This nation was founded by those escaping religious persecution. Such persecution happens somewhere in the world, every day, and always has. But never before has it happened here.
We are the only nation on Earth that, by our very nature, is a consistently changing population. The population of most countries is predominantly an unchanging group of said peoples. The majority of the population of France is French; in Denmark, the Dutch. But in America, we're everyone, from everywhere. That is the very essence and nature of this country. We are Everyone, from Everywhere.
Let's not change that now. Let's not turn our backs on those who need us now. They're the next Us.
Germany tossed out, and closed its borders, against a certain peoples. That's not what we do. Let's not toss out Muslims, the vast majority of whom are not violent people. Let's not toss out Mexicans and then put up a wall against them.
The Muslim Ban today. The Mexican Wall tomorrow. What's next? When will it end? Is this the start of an American cleansing?
Let's not start this. Let's not do this. This is not who we are. That, is un-American. Literally.
[Please feel free to copy and paste into your social media, without giving credit. Please just share this message and spread the word.]
Sunday, October 30, 2016
A Warning About A Society's Purge and A Book Review
Photo: the paperback's cover, from it's Goodreads page
Vienna Secrets by Frank Tallis is a very good book, #4 in the series, that was nominated for an Edgar Award in 2011. The mystery involves a few decapitated men, all in one way or another seen as enemies of Vienna Jews--the last one also being Jewish himself. There are the typical cast of characters, all of whom seem guilty in some way, until the real murderer shows himself towards the end. Max Liebermann gets out of that mess, solves the crime, solves a male patient's pseudo-pregnancy, and walks out of a meeting with his job--in that order. Once again, Tallis seems to show that the crime is second-fiddle compared to the more normal things his character has to go through.
But the real purpose of this book, as with the first three and the following two (I don't know why I've read them out of order, but it's not proven to be a problem), is to show the growing anti-Semitic dissension in 1903 Vienna. The subject is integral to the plot, to the characters, to everything. The book ends with the sadly ironic statement: "Today, Jews may be insulted and abused, but they will never be consigned to the flames again." This was supposedly written in Dr. Liebermann's journal in Vienna, 1903. Hitler, who was born in Austria on April 20, 1889, and who spent time in Vienna, was 14. Since he moved to Germany in 1913, he could plausibly have been a part of Liebermann's 1903 Vienna, but Tallis apparently decided--wisely--not to go there. But the irony of that sentence is impossible to miss.
I've harped on this before, in my other Tallis / Liebermann reviews, and Tallis himself has harped on this in every single Liebermann book, but I'll harp on it again: These books were written long before this last year's election cycle, but the warning is not subtle:
Beware of the makeup of your society, and beware who rules that society.
A country's leader is a reflection of that society, not the other way around.
A woman-hater, for example, cannot succeed in a society otherwise void of woman-haters. A xenophobe who fears / hates Mexicans cannot succeed in a society that does not otherwise fear / hate Mexicans. Though such an aspiring leader may lose an election by garnering "only" 30% to 40% of the vote, such a percentage is still alarmingly high and must be seriously addressed by that society. Simply put, that's a lot of fear and hate. Even if that aspiring leader goes away, the fear and hate-mongering that he flamed will not. It'll be there, and it could, and probably would, get worse.
It's happened before. Europe, 1890-1945. Spain and England have had Jewish purges. America has had a Native American purge. Think about it: If the current aspirant could wipe out those he hated, would he? Even his allies would say Yes. (In fact, that may be why they're his allies.)
So watch out. Beware of the makeup of your society, and beware who rules that society.
This book shows that was true in 1903 Vienna, and it shows it's true in 2016 America.
Beware. Keep your eyes open.
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Saturday, October 22, 2016
All (as of 10/16) of Trump's Bullying and Biased Quotes in One Place and with Links 2
Photo: from a Wall Street Journal article about what a "sane Donald Trump" would be like. But, it says, when it comes to Trump ignoring a tally on November 8th that says he lost, "...Does he know he's playing with fire? No. Because he's a nut."
Just like the title says. You can find #1 through #5 at my last blog entry--just click here.
Again, the following quotes come from a recent Washington Post article that outlines its closing statement about the Presidency. Well, as of 10/16, anyway. Each point has its own link back to the article and the appropriate YouTube video, for your reading and viewing convenience. To finish up:
6. "Written by a nice reporter. Now the poor guy. You ought to see this guy." November 24, 2015.
This is Trump mocking and mimicking a physically disabled New York Times reporter. You have to see this to fully appreciate how horrible it was. Click on this link to go to the article, then scroll down to #6 to see the video.
I never thought I would see a candidate for President of the United States mimicking a handicapped person. I'm talking arms flailing, body twisting, stuttering--everything. Again, this is bullying, plain and simple. And it's behavior that, frankly, a President should not have. We're above this, aren't we? By the way, this reporter's crime? He wrote an article negative about Trump. Is this what a grown man does in response to such a thing, mimic and mock another man's physical disability? A teacher wouldn't tolerate this behavior in a classroom, but we'd tolerate this behavior in the President?
This is also unforgivable. We do not mock and mimic those less fortunate than ourselves. And we learn to control our adolescent behavior, especially when we're running for President and speaking to the world. If he can't do that in a press conference for his own campaign, how is he going to be appropriate during a meeting with a leader from the Middle East, or from Russia, that's not going well?
7. "Putin's running his country and at least he's a leader." December 18, 2015.
Putin is also guilty of more civil rights violations than any other Russian leader in recent memory. His critics have a bad habit of mysteriously and permanently disappearing. He is undoubtedly behind the hacking of the Democratic (and probably Republican) Party's computers--and Trump openly suggested that he hack into them again. I can't recall the last time I heard an American politician openly asking a foreign (and possibly antagonistic) leader for aid in bringing down his political opponent--to the point that such an attack would be espionage and a major attack on our government.
This is careless beyond belief. And his cozying up to Putin is gut-churning and worrisome. If Trump is as much of a puppet to Putin as he is to his two (thuggish) sons and to Steve Bannon, then there's something very, very wrong. Even as a candidate, an alliance with Putin is treason, as Trump is right now privy to our nation's secrets and plans. Think about that last sentence for a moment.
8. "I'm going to open up our libel laws." February 26, 2016. AND "This judge is of Mexican heritage. I'm building a wall." June 3, 2016
Besides the obvious racism and bigotry (and isolationism, always a bad thing) of the second statement, what we have here is a classic case of Trump not knowing what he's saying. He would fail a middle school history class. The fact is, he can't, even as President, change any laws or build any walls--especially one that would cost billions and strain an already strained relationship with a neighboring country. Now, understand, he doesn't even mean these things. But even if he did, he has to get both of those policies through Congress, and that's not going to happen. The point is, he doesn't know that. He thinks the Presidency is a tyranny, and he'd be the King. But our democracy is purposely designed so that's not the case. No one person can declare War, or spend billions of federal dollars, or suddenly and drastically change judiciary laws. Congress does the first thing, and the Supreme Court does the last. And there's 9 judges there, and he only gets to place one right now.
Many of his supporters don't know this. Many racist people will vote for Trump because of this wall that he cannot possibly ever put up, and they're as ignorant of that as they are of anything racial.
But we're not. America needs to show it's not racist, and that it's not ignorant of how its own government works. We need to show that a politician cannot use fear, hatred and racism (the three always go together) to win the Presidency.
9. "Look at my African-American over here." June 3, 2016. See above. Need I say more?
10. "I alone can fix it." July 21, 2016.
This is how Fascism can come to America. I used to wonder how a country like Germany, a country that had the most brilliant universities, scientists, philosophers and writers of its time, all in one place, could ignore its intelligence and put someone like Hitler in power.
Now I know. Now I get it. We're one step away from doing that ourselves. I just said that. Out loud.
But so has The Washington Post, The New York Times, USA Today, and even Dubya Bush, for God's sake. (This is the first and last time we'll agree on anything.) Millions, thank God, have spoken out.
But this is how it's done. An egomaniac, a hater, a bully, a tyrant, a Democratic old-lady stage-stalker convinces enough like-minded folks to put him in power and then he does all those crazy things. He says that he is the only one who can fix everything. Him. That's it. The only one. The demi-god. The God-in-his-own-mind. This is what Hitler did. He took a very angry nation, simmering in rage about its defeat in World War One, and he told it that he alone can make everything right again. He gave them someone to fear and hate (Jews) like Trump has (Mexicans and women). Like other tyrants, Trump said that everyone who disagreed with him (political figures, newspapers, television reporters, and even parents of fallen soldiers) were in secret conspiracy against him. And that's why there's no proof, because they're all in secret conspiracy. (Many of his supporters have to believe in secret conspiracies.) According to the latest poll, 40% of the country is like this. (This is scary in of itself.) He riles them all up, appeals to their base emotions and then he bullies everyone else into submission. Those who don't submit--like his political opponents--he threatens to throw in jail, or he threatens violence against them. Sound familiar? Trump has done both against Clinton. That's what other countries do, not us. That's what America has always prided itself in--we don't act like the tyrants of other countries, especially after Election Day. This is the sole reason Ford pardoned Nixon. If elected, with all that power, is it so unreasonable to suggest that Trump would go one small step further and actually do those things he's threatened? His supporters, of course, want this. They want a tyrant.
America and Britain let Hitler do this, even though they knew the danger. I don't see powerful countries sitting by this time and watching that happen. Britain has already banned Trump, and NATO and the United Nations have already passed policies in advance of our election--just in case.
The rest of the world is looking on in horror. Trump would shrug that off, and say that the rest of the world doesn't matter. But it does. Look at history. Look at what happened to countries that elected a tyrant and then isolated itself. Didn't turn out well, either for that country or for the world in general.
I'm not normally like this, especially politically. (I'm not normally that political in general.) I don't normally think the sky is falling. I don't live my life in fear.
But it has come to that. Again, I'm not the only one saying so. And I'm not some moralist, a guy who judges everybody, or someone who thinks you have to be a saint to be President. I voted for Bill Clinton, after all, though I wouldn't want any daughter of mine to date someone like him. But Clinton, for all of his (many) faults [the largest of which was to ignore the Cole attack, by the way], was not a world-wide danger. Countries didn't ban him. He wasn't racist, or bigoted, or a bully. I didn't worry that he knew where our nukes were because I didn't think he'd want to use them. Trump, for Heaven's sake, would use them on Mexico, or perhaps on the next national NOW meeting. (I'm kind of exaggerating there--I hope.)
And that's the problem. I'm not sure I'm kidding. Seriously. The comparisons are too obvious and real to ignore. The examples are too frequent and too crystal clear. He is that much of a hater, a bigot, a racist and a tyrant. The U.S. and the world can probably survive him, but are we totally sure? Do we want to put the world at risk to find out?
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Friday, October 7, 2016
USA Today Tells Readers Not to Vote for Trump
For the first time in its history, USA Today is taking sides on a presidential debate, and is telling its readers not to vote for somebody. It's not, exactly, suggesting that its readers vote for Clinton, though it does say that it supports that decision in order to keep Trump out of office.
But don't take my word for it. Read it for yourself here.
USA TODAY's Editorial Board: Trump is 'unfit for the presidency'
But don't take my word for it. Read it for yourself here.
Photo below: © Jessica Kourkounis/Getty Images Donald Trump speaks at a campaign event on Oct. 1 in Manheim, Pa.© J
,USA TODAY's Editorial Board: Trump is 'unfit for the presidency'
Editor’s note: The opinions in this article are the author’s, as published by our content partner, and do not necessarily represent the views of MSN or Microsoft.
In the 34-year history of USA TODAY, the Editorial Board has never taken sides in the presidential race. Instead, we’ve expressed opinions about the major issues and haven’t presumed to tell our readers, who have a variety of priorities and values, which choice is best for them. Because every presidential race is different, we revisit our no-endorsement policy every four years. We’ve never seen reason to alter our approach. Until now.
This year, the choice isn’t between two capable major party nominees who happen to have significant ideological differences. This year, one of the candidates — Republican nominee Donald Trump — is, by unanimous consensus of the Editorial Board, unfit for the presidency.
From the day he declared his candidacy 15 months ago through this week’s first presidential debate, Trump has demonstrated repeatedly that he lacks the temperament, knowledge, steadiness and honesty that America needs from its presidents.
Whether through indifference or ignorance, Trump has betrayed fundamental commitments made by all presidents since the end of World War II. These commitments include unwavering support for NATO allies, steadfast opposition to Russian aggression, and the absolute certainty that the United States will make good on its debts. He has expressed troubling admiration for authoritarian leaders and scant regard for constitutional protections.
We’ve been highly critical of the GOP nominee in a number of previous editorials. With early voting already underway in several states and polls showing a close race, now is the time to spell out, in one place, the reasons Trump should not be president:
He is erratic. Trump has been on so many sides of so many issues that attempting to assess his policy positions is like shooting at a moving target. A list prepared by NBC details 124 shifts by Trump on 20 major issues since shortly before he entered the race. He simply spouts slogans and outcomes (he’d replace Obamacare with “something terrific”) without any credible explanations of how he’d achieve them.
He is ill-equipped to be commander in chief. Trump’s foreign policy pronouncements typically range from uninformed to incoherent. It’s not just Democrats who say this. Scores of Republican national security leaders have signed an extraordinary open letter calling Trump’s foreign policy vision “wildly inconsistent and unmoored in principle.” In a Wall Street Journal column this month, Robert Gates, the highly respected former Defense secretary who served presidents of both parties over a half-century, described Trump as “beyond repair.”
He traffics in prejudice. From the very beginning, Trump has built his campaign on appeals to bigotry and xenophobia, whipping up resentment against Mexicans, Muslims and migrants. His proposals for mass deportations and religious tests are unworkable and contrary to America’s ideals.
Trump has stirred racist sentiments in ways that can’t be erased by his belated and clumsy outreach to African Americans. His attacks on an Indiana-born federal judge of Mexican heritage fit “the textbook definition of a racist comment,” according to House Speaker Paul Ryan, the highest-ranking elected official in the Republican Party. And for five years, Trump fanned the absurd “birther” movement that falsely questioned the legitimacy of the nation’s first black president.
His business career is checkered. Trump has built his candidacy on his achievements as a real estate developer and entrepreneur. It’s a shaky scaffold, starting with a 1973 Justice Department suit against Trump and his father for systematically discriminating against blacks in housing rentals. (The Trumps fought the suit but later settled on terms that were viewed as a government victory.) Trump’s companies have had some spectacular financial successes, but this track record is marred by six bankruptcy filings, apparent misuse of the family’s charitable foundation, and allegations by Trump University customers of fraud. A series of investigative articles published by the USA TODAY Network found that Trump has been involved in thousands of lawsuits over the past three decades, including at least 60 that involved small businesses and contract employees who said they were stiffed. So much for being a champion of the little guy.
He isn’t leveling with the American people. Is Trump as rich as he says? No one knows, in part because, alone among major party presidential candidates for the past four decades, he refuses to release his tax returns. Nor do we know whether he has paid his fair share of taxes, or the extent of his foreign financial entanglements.
He speaks recklessly. In the days after the Republican convention, Trump invited Russian hackers to interfere with an American election by releasing Hillary Clinton’s emails, and he raised the prospect of “Second Amendment people” preventing the Democratic nominee from appointing liberal justices. It’s hard to imagine two more irresponsible statements from one presidential candidate.
He has coarsened the national dialogue. Did you ever imagine that a presidential candidate would discuss the size of his genitalia during a nationally televised Republican debate? Neither did we. Did you ever imagine a presidential candidate, one who avoided service in the military, would criticize Gold Star parents who lost a son in Iraq? Neither did we. Did you ever imagine you’d see a presidential candidate mock a disabled reporter? Neither did we. Trump’s inability or unwillingness to ignore criticism raises the specter of a president who, like Richard Nixon, would create enemies’ lists and be consumed with getting even with his critics.
He’s a serial liar. Although polls show that Clinton is considered less honest and trustworthy than Trump, it’s not even a close contest. Trump is in a league of his own when it comes to the quality and quantity of his misstatements. When confronted with a falsehood, such as his assertion that he was always against the Iraq War, Trump’s reaction is to use the Big Lie technique of repeating it so often that people begin to believe it.
We are not unmindful of the issues that Trump’s campaign has exploited: the disappearance of working-class jobs; excessive political correctness; the direction of the Supreme Court; urban unrest and street violence; the rise of the Islamic State terrorist group; gridlock in Washington and the influence of moneyed interests. All are legitimate sources of concern.
Nor does this editorial represent unqualified support for Hillary Clinton, who has her own flaws (though hers are far less likely to threaten national security or lead to a constitutional crisis). The Editorial Board does not have a consensus for a Clinton endorsement.
Some of us look at her command of the issues, resilience and long record of public service — as first lady, U.S. senator and secretary of State — and believe she’d serve the nation ably as its president.
Other board members have serious reservations about Clinton’s sense of entitlement, her lack of candor and her extreme carelessness in handling classified information.
Where does that leave us? Our bottom-line advice for voters is this: Stay true to your convictions. That might mean a vote for Clinton, the most plausible alternative to keep Trump out of the White House. Or it might mean a third-party candidate. Or a write-in. Or a focus on down-ballot candidates who will serve the nation honestly, try to heal its divisions, and work to solve its problems.
Whatever you do, however, resist the siren song of a dangerous demagogue. By all means vote, just not for Donald Trump.
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Monday, February 29, 2016
2016 Academy Awards Part 2
...This is a continuation from yesterday's first blog to cover the 2016 Oscars, which you can find here. It covered everything from Chris Rock's opening to Stallone's loss. Now, on with the show...
Photo: Leonardo DiCaprio, during his Oscar acceptance speech, from Us Magazine at this website. Picture courtesy of Mark Ralston, AFP.
--Louis C.K.'s intro was the best speech of the night so far. And he's right: Makers of Documentary Shorts tell very important, very depressing stuff, and they don't get rich doing so. Because who wants to pay to see such terror, horror and heartbreak? (Besides people like me, that is.) But someone's got to record this stuff, right? To prove his point, two of the nominees were about concentration camps, and women under oppressive regimes who get their faces burned and scarred.
--Chris Rock's performance turned awkward when he shamed celebrities into buying Girl Scout cookies.
--I met Kate Capshaw in the summer of 1995 or '96, when I was an extra in Amistad, directed by her husband, Steven Spielberg. She came on the set to chew him out about something. Even angry, she'd been beautiful--just as much in person as she'd been in Temple of Doom. Now, due to a botched plastic surgery or two, she looks like a female Joker. Shocking. She would've become a beautiful middle-aged and then older lady if she'd let herself. She'd already retired from acting (just one film in the last 10-12 years or so) to raise their family, so she didn't need the surgery to stay active in the profession, which is what so many of them say. I don't get it. She'd been truly gorgeous.
--A standing ovation for Joe Biden?
--Even more surprising: An impassioned Joe Biden?
--Great performance by Lady Gaga. None of the songs wow me this year, and this one was good, with an important message. Worse songs have won. And I didn't know she could play the piano.
--The director's constant camera movements have befuddled many of the presenters and performers tonight. They often haven't known which camera to look into. Lady Gaga got caught a few times looking up into the crane camera. It's been a little too much tonight.
--An Emmy for American Horror Story: Hotel; the best thing about this year's Super Bowl; and now a great performance tonight, and probably an Oscar for it. Lady Gaga's had a helluva year.
--Okay. Whatever. I didn't even like Spectre's song. And I wasn't thrilled with Spectre, either. I gave my better half a thumb's down when the song played during the movie. Surprising loss here.
--At least two of the nominated songs couldn't be performed. Why? Time constraints? And yet we had to be subjected to a few minutes about Girl Scout cookies? If they're pressed for time, wouldn't you rather hear the nominated songs--just like every year--rather than some of the things we had to sit through? Thumbs down on that!
--Two words: Olivia Wilde.
--I don't know if one director has won for consecutive years, but I doubt it. But Birdman and Revenant were incredibly well-directed. Mad Max was, too, and George Miller has had a lot of well-deserved kudos this year. But a well-directed, scenic movie with plot and great acting will trump a well-directed, scenic movie with great technical mastery and stunts, at least at the Oscars.
--Speaking of one movie trumping another--I said it in the last blog, but here's the spot to say it again:
Note to Mr. Trump: The Oscar for Best Director for the last three consecutive years has gone to a Mexican.
--And, oh yeah: The Oscar for Best Cinematographer for the past three consecutive years has also gone to a Mexican.
--So you might want to re-think the value of that wall, big guy.
--I've nailed every movie music or song played throughout the night, while the presenters are walking, or the show's coming back, or the winners are approaching the stage. I'm just sayin'.
--Most amusing of the night: Joe Biden entering to the theme music of Raiders of the Lost Ark.
--Lots of commercials made specifically for this year's Oscars. I don't remember a year so many were made specifically for this evening.
--Leonardo DiCaprio finally wins. For my money, his best performance is still in What's Eating Gilbert Grape?
--Not surprised by Spotlight's win. It's a more important movie than The Revenant, and I think the full Academy of voters thought so, too. But I'll bet it was a close vote. I really want to see Spotlight now.
--Michael Keaton, who disappeared for a long time, and then made the it-was-so-awful-I-got-angry White Noise--and who then disappeared for a long time again--has been a major actor in the last two consecutive Best Picture winners. Yes, he's back. I hope he wins one sometime before he's done.
Photo: Leonardo DiCaprio, during his Oscar acceptance speech, from Us Magazine at this website. Picture courtesy of Mark Ralston, AFP.
--Louis C.K.'s intro was the best speech of the night so far. And he's right: Makers of Documentary Shorts tell very important, very depressing stuff, and they don't get rich doing so. Because who wants to pay to see such terror, horror and heartbreak? (Besides people like me, that is.) But someone's got to record this stuff, right? To prove his point, two of the nominees were about concentration camps, and women under oppressive regimes who get their faces burned and scarred.
--Chris Rock's performance turned awkward when he shamed celebrities into buying Girl Scout cookies.
--I met Kate Capshaw in the summer of 1995 or '96, when I was an extra in Amistad, directed by her husband, Steven Spielberg. She came on the set to chew him out about something. Even angry, she'd been beautiful--just as much in person as she'd been in Temple of Doom. Now, due to a botched plastic surgery or two, she looks like a female Joker. Shocking. She would've become a beautiful middle-aged and then older lady if she'd let herself. She'd already retired from acting (just one film in the last 10-12 years or so) to raise their family, so she didn't need the surgery to stay active in the profession, which is what so many of them say. I don't get it. She'd been truly gorgeous.
--A standing ovation for Joe Biden?
--Even more surprising: An impassioned Joe Biden?
--Great performance by Lady Gaga. None of the songs wow me this year, and this one was good, with an important message. Worse songs have won. And I didn't know she could play the piano.
--The director's constant camera movements have befuddled many of the presenters and performers tonight. They often haven't known which camera to look into. Lady Gaga got caught a few times looking up into the crane camera. It's been a little too much tonight.
--An Emmy for American Horror Story: Hotel; the best thing about this year's Super Bowl; and now a great performance tonight, and probably an Oscar for it. Lady Gaga's had a helluva year.
--Okay. Whatever. I didn't even like Spectre's song. And I wasn't thrilled with Spectre, either. I gave my better half a thumb's down when the song played during the movie. Surprising loss here.
--At least two of the nominated songs couldn't be performed. Why? Time constraints? And yet we had to be subjected to a few minutes about Girl Scout cookies? If they're pressed for time, wouldn't you rather hear the nominated songs--just like every year--rather than some of the things we had to sit through? Thumbs down on that!
--Two words: Olivia Wilde.
--I don't know if one director has won for consecutive years, but I doubt it. But Birdman and Revenant were incredibly well-directed. Mad Max was, too, and George Miller has had a lot of well-deserved kudos this year. But a well-directed, scenic movie with plot and great acting will trump a well-directed, scenic movie with great technical mastery and stunts, at least at the Oscars.
--Speaking of one movie trumping another--I said it in the last blog, but here's the spot to say it again:
Note to Mr. Trump: The Oscar for Best Director for the last three consecutive years has gone to a Mexican.
--And, oh yeah: The Oscar for Best Cinematographer for the past three consecutive years has also gone to a Mexican.
--So you might want to re-think the value of that wall, big guy.
--I've nailed every movie music or song played throughout the night, while the presenters are walking, or the show's coming back, or the winners are approaching the stage. I'm just sayin'.
--Most amusing of the night: Joe Biden entering to the theme music of Raiders of the Lost Ark.
--Lots of commercials made specifically for this year's Oscars. I don't remember a year so many were made specifically for this evening.
--Leonardo DiCaprio finally wins. For my money, his best performance is still in What's Eating Gilbert Grape?
--Not surprised by Spotlight's win. It's a more important movie than The Revenant, and I think the full Academy of voters thought so, too. But I'll bet it was a close vote. I really want to see Spotlight now.
--Michael Keaton, who disappeared for a long time, and then made the it-was-so-awful-I-got-angry White Noise--and who then disappeared for a long time again--has been a major actor in the last two consecutive Best Picture winners. Yes, he's back. I hope he wins one sometime before he's done.
Labels:
Academy Award,
American Horror Story,
Amistad,
Chris Rock,
hotel,
Joe Biden,
Kate Capshaw,
Lady Gaga,
Lost Ark,
Louis C.K.,
Mexican,
Mexico,
Michael Keaton,
Olivia Wilde,
Oscar,
Raiders,
Spielberg,
Stallone,
Trump
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