The Wonder of Different Cultures and Religions -- People of the Book by Geraldine Brooks

Photo: from the book's Wikipedia page

This is a book of historical fiction about a real Jewish book, saved, during the real bombing of a real museum in World War II, by a real Muslim. The real Muslim was a real librarian in Sarajevo, Bosnia, and he really saved the Sarajevo Haggadah, twice, from the Nazis.

If you've read my blog before, you undoubtedly see where I'm going with this. I'm not very subtle when I'm angry. (Or, when I'm not.) 

People of the Book is a novel in many parts, in many POVs. Normally that irks me, but it's handled very well here, as you'd expect it to be, since Brooks wrote it. The story starts in 1996 Sarajevo and ends in 2002 Sarajevo, but it also jumps around to other countries and continents, in other times, as far back as 500 years ago. It's a book also of many cultures, including those of Sarajevo (Bosnia), Africa, Spain, Italy, Austria (Vienna) and Australia, to name a few. It's also a book of many religions, including Catholic and Muslim. In the end, an Aussie falls in love with a Bosnian. I don't know if Europeans move around a lot more in Europe than Americans do in America, or if I've just seen too many James Bond and Jason Bourne (notice the similar initials) movies and read too many books. But it sure seems that way. There seems to be less fear and more acceptance because of this.

You're probably seeing where I'm going with that. I apologize for my lack of subtlety.

Turns out, most people of most faiths and cultures are peace-loving people, running from wars and oppression and ignorance. That includes Catholics, Hebrews and Muslims. But people of most faiths also start wars of oppression and ignorance. In this book, those people are also Catholics, Hebrews and Muslims. These faiths have works that go back millennia. The Sarajevo Haggadah, the book of the title, is one of those. It was created with love and honor and faith by someone (actually at least two someones, as one drew and another wrote) who tried to create a masterpiece to honor the faith.

Brooks's book has one overall message: culture and books should prevail over wars and ignorance. And the first sign of oppression and evil is the suppression, and burning, of books. Keep a watchful eye out for that. Nazi Germany wasn't the first killing tyranny to burn books, but doing so is the first sign of an ignorance and an oppression. That, and shutting down the press and universities.

Keep your eyes open for that, no matter where you are.

Many hands have undoubtedly touched the Sarajevo Haggadah, which is a very real book, as many hands undoubtedly have created it. This is the case of all old books.

Yes, all of them. Many hands will create many errors, especially in print, especially if the words have been created and put together over many centuries. If you've read my blog, you probably know where I'm going with that. If not, read the book, and you may.

Of all the sections of Brooks's book, she is at her best in those of historical fiction. The most memorable to me is the section of the book's travels out of World War II. There's a scene on a frozen lake that you won't soon forget. The part about the writing of the Haggadah is also great. So is the section about the real signature and inscription, and the fictional wine and blood stains.

Less great are the parts of the main character, Hanna, necessary to set the outline of the novel. She is asked to restore the book, as it's many hundreds of years' old. While doing so, she notices missing silver clasps, a butterfly's wing, a white (cat's) hair, a drop of wine, and another drop of what turns out to be blood. There's also a signature and inscription by a censor of the Inquisition--a real guy named Giovanni Domenico Vistorini. All that is known about this real man is his signature and inscription; other books from the Inquisition also have his name and notice. He had surely not signed hundreds of other books, many of them old even by 1609, thereby fating them to the flames. This one he let live--a strange book for an Inquisitor to pass. You'll have to read Brooks's book to see why.

So this is a great, literate book, about a real book, and the message is that books and cultures are cool. It's got a Travelling Pants kind of frame--Remember the movie with different segments about characters who all come across the same pair of pants? (Well, I didn't read the book or see the two movies, either, but I'm aware of the writing frame.) If not, how about Cat's Eye?--that really works here, even if Brooks is obviously more at home with the historical fiction parts, and less proficient with Hanna's modern day. She tries to hard, IMHO, to portray a sassy and independent Aussie. I found what she did for a living more cool than her character. That's just me--though she does have a memorably Lady Macbeth-like surgeon mother, who admits a whopper at the end.

Ultimately I prefer Brooks's March and Year of Wonders: A Novel of the Plague, but this--her third book--is also a wonder of a sort, and well worth your time. Though I think it's her third best at the time of its writing, it's still better than the best of most, including your humble reviewer. Actually, a piece of this gave me inspiration for a book I'm writing, that also takes place over many generations, with many characters, nations and problems. My book didn't have a MacGuffin--which is essentially what the Haggadah is here--nor did it have a Citizen Kane-type narrative frame, which is what Brooks's book is. The stains, the inscription and signature, the hair and the butterfly wing--they're all Rosebud, get it?

Knowing different cultures and religions makes you smart. They are not to be hated, oppressed or expelled. See where I'm going with this?!?

New Disasters--The Black Death

Interesting little book--just 111 pages--about the Black Death of the Middle Ages, between 1347-1351.  I saw it in my local library while I was researching plagues and flus for my next novel.  Though I'm focusing more on the Great Plague of the 1660s in England, and not the Black Death of the Middle Ages (for they're not the same thing, and there are a great number of differences), I figured I could learn a little something from this.

It's broken up in sections: its arrival; recent scientific re-assessments (this was published in 2003, so it's still relatively recent); writings about the plague from the time; and the repercussions of the Black Death.

What I learned, in no particular order:

--It seems now rather certain that the Black Death wasn't just the Justinian Plague, carried by fleas on black rats.  Lots of evidence indicates that anthrax (the disease that killed cattle, not the powdery stuff used in germ warfare today) was also going around, either on its own or as a unique anthrax / plague strain.

--Part of the evidence for this was the unbelievable number of animals dying before the people started to die.  Also, the deaths did not abate much in the winter--odd for a plague dependent on fleas and rats to spread it.  (Neither survive or move around much in the winter.)  And people died with extreme rapidity from a third strain of the plague; it was said that they could go to bed feeling fine and be dead by morning.  (This does not seem to be an exaggeration.)

--The plague was said to come from vapors within the Earth, released during earthquakes.  It was believed that breathing man-made yuckiness--like from latrines--was beneficial, and would fight off the nastiness from within the Earth.  Planet alignments and other astrological things were also blamed.

--People died faster than they could be buried.  Putrefying bodies of people and animals would lie in the streets, and the stink was said to be incredible.

--Gravediggers, doctors and clergy died fastest, as they attended to the dead and dying.  Since nobody was left alive to bury the dead--and since those left alive didn't want to touch the dead or dying for fear of getting sick from their "humours" and "vapors"--a lot of money was paid to people who called themselves becchini.  These people would take the dead from their homes, from the streets, etc. and bury them.  But after awhile, nobody wanted to touch or associate themselves with these people, either, so the becchini became disgruntled and homeless, and often turned to crime.

--Those who couldn't afford to be cared for or buried simply weren't, and died alone in horrible conditions, and their bodies left to rot wherever they died.

--The Black Death may have some DNA in common with the HIV / AIDS virus.  Recent evidence suggests that 12%-15% of those with European descent--and an ancestor who contracted the plague and survived it--may be immune to the HIV / AIDS virus as well as the Black Death.

--The same plague from the Middle Ages is alive and well in a few spots, including the Midwestern U.S.  Some cases have cropped up in Colorado recently.

--A strain of the Plague--as well as strains of other viruses--are immune to today's strongest antibiotics.  A cocktail of super-antibiotics is used to fight these resistant viruses now.  Once the viruses become immune to these cocktails--which is very soon--there won't be anything left to stop them.

--God, then like today, was thought to be punishing the bad people.  [See: AIDS in the 80s.]  But then everyone, of every stripe, class, age and religion, started dying, so that theory was dashed by everyone--except the living, of course, whose every breath proved their moral superiority.

--A common "cure" was to bleed and purge the victim.  This led to an even more rapid death due to blood loss, exhaustion, dehydration, and a weakened immune system.  Those who came in contact with the blood or feces of the victim could contract the illness as well, so that the "cure" killed them, too.

--Mercury was often recommended, which made plague victims die of the plague and of mercury poisoning.  Several learned people complained that their doctors were killing them quicker than the pestilence was.  (BTW, the plague was never called the plague at the time.  It was called a "pestilence" or "the Great Pestilence.")

--The most common thing doctors did for the victim?  Study their urine.

--In some towns, when one member of a family got sick, the entire family was sealed inside the home, so that everyone--the healthy and the sick--died.

--Before everyone died of the plague, those blamed for it the most were the Jews and the undesirables of society.  [See: World War II.]  It was commonly believed that Jews were poisoning the wells, and tens of thousands of Jews across Europe were hunted down because of this belief, including entire communities.

Anyway, a little book that, in these virus-ravaged days, makes for some eye-opening, if not chilling, reading.  With the Earth long overdue for a pandemic like the 1918 super-flu, and with our current attitudes about change and blame, this book made for some quick, interesting and thought-provoking reading.

The more things change, it seems, the more things stay the same.

The Walking Dead

Photos: from The Walking Dead's website via AMC.

My blog for The Walking Dead, Season Five, is now up.  Below is an excerpt of the latest blog entry.  To read the whole thing, click here or click the Walking Dead tab above.

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The obliteration of peoples in the future might go something like this.

Actually, no.  Let me re-phrase.  This institutional evil has already happened in real history.

When Gareth strolls in with his clipboard and demands an account of bullets fired at Rick's group, he immediately stops the action--which, in this case, was some guy about to slaughter Glen with a hefty-looking aluminum bat, and then cut his throat over a trough.

He asks for the number of bullets fired at Rick's group.  He's got a clipboard and a checklist.  With more time and fewer commercial breaks, might he have asked about the weapons taken from them, or other valuable items?  I think so.  Three swords?  Check.  Six guns?  Check.  No where's that bag?

In World War II Germany, "valuable items" would've been defined as paintings, gold (including gold teeth, or haven't you seen the same documentaries I have?), silver, china, art.  Any metal to be melted down to use as bullets, tanks, etc. for the German war effort.  In a Zombie Apocalypse, "valuable items" would be defined as weapons and bullets.

Did a Jew at Auschwitz live a few seconds longer as a soldier answered a superior's similar question?  Did this soldier keep the gun pressed against a prisoner's head as he said, "Five gold teeth and two works of art taken from this prisoner, sir," in German, to his superior officer, who was standing over him at the time with clipboard and pencil in hand?

Yes.  Yes, I believe that could have happened.

But real life isn't TV.  So then the gun would've fired.

Systematically.  Impersonally.  Just taking inventory.

Institutional evil.  I wish I could take credit for that phrase, but I heard it on Talking Dead later.  Probably it's been a phrase widely used, at least since World War II.

I write this because some have already remarked that the people in Sanctuary got more than they deserved.  That Sanctuary Mary (Denise Crosby, from Pet Sematary and other 80s movies, if you're as old as I am) didn't deserve what she got.  This was, in fact, a poll question during Talking Dead.

So this blog entry is written to those 25% to 30% of the viewers who texted in with a "Yes, the Sanctuary People got more than they deserved.  After all, they were a group like Rick's, and they got raped and beaten and killed.  They were just trying to stay alive.  You're either the butcher or you're the cattle, right?"

Because this is exactly what the Germans thought at the end of World War I.  They'd been bombed and obliterated.  Berliners were starving.  Diseased.  Dying.  And a few of them were really pissed off.  They were just trying to stay alive.  They were tired of being the cattle.  Better to be butchers.

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To read the rest of this blog entry, or to read a few entries from The Walking Dead's previous season, please click here.  Or click on the Walking Dead Season 5 tab above.  Thanks.

As always, please feel free to comment.