Showing posts with label Kansas City. Show all posts
Showing posts with label Kansas City. Show all posts

Saturday, April 30, 2011

One-Sentence Summaries

To further become focused on my writing, it made sense to me this morning (after reading an article in Writer's Digest's "Write Your Novel in Thirty Days issue) to type up one-sentence summaries of the novel I'm currently working on.  Then, while I was at it, I wrote one-sentence summaries for a few other novels currently gestating in the ole noggin as well.  This is more challenging than you might think, but ultimately it's necessary.  Think of it as a thesis statement for an essay or paper: If you don't know what you're writing toward--or even what you're writing about--how can you expect yourself to write it?  You have to know what you're doing; to an extent, you have to also know where you're going.

So, though they may not be perfectly formed yet, here are my one-sentence summaries for a few novels.  Brief notes or explanations may follow each one.  Please feel free to post a comment or send me an email about any thoughts you may have about any of these.  I look forward to your ideas!  And while you're at it, why not do the same for your own writing?  (This would work for any type of writing, and for any length.)

One sentence summary:

The Gravediggers

Fears and bias surrounding an outbreak of TB in 1890s Exeter, Rhode Island, hide the scourge of a true vampire in the town and surrounding area.  [May be combined with the Plague in 1665-6 Eyam, England and AIDS in early 1980s America, and a small RI town today.]  This could be a series, as each of those ideas could be separate novels.


One sentence summary:

Untitled Concentration Camp Novel

A young boy with no artistic talent must either learn one or successfully fake it in order to survive his internment in a Nazi concentration camp whose purpose is to show the world how “well” Germany treats its Jews.


One sentence summary:

Apocalypse

Small groups of people in Kansas City, MO, Warwick, RI, and other major cities throughout the world must survive wars and natural disasters as they attempt to completely revamp what they thought was their “society.”  This includes attitudes about patriotism, religion, and the Bible itself.  This could be a series as well, as each of the last three things could constitute its own novel.


One sentence summary:

The Observer

After a breakdown nobody knew he had, one man must suppress the beliefs of his existence that held him together in order to re-establish himself in the mundane process of everyday American living.

Monday, December 13, 2010

Just Do It

I told a friend of the new novella/novel idea expressed in the last blog, and he said, "Another one?"  Then I told my better half about the idea, and she said the exact same thing.  And so it's occurred to me that I've got too many things going on at the same time, and not too much time to write any of them.  Doubly frustrating!!!

Right now I'm working on:

1.  Novel idea expressed last time.
2.  The Gravediggers--one of the Novels in Progress that may form a trilogy with...
3.  Apocalypse--one of the Novels in Progress that takes place right at the end of a major world calamity and the end of WW3.  Most of it takes place in Kansas City, NYC, Rhode Island, and occasionally at a few other points throughout the world.  A couple of excerpts of this NIP are in blog entries below.  This is the NIP I'm probably furthest into, and will probably form a trilogy with The Gravediggers, and with...
4.  The novel about the plague(s) throughout history, one of which will happen in the timeline of Apocalypse and The Gravediggers, but that also took place in places like Eyam, England, a similar locale of which forms the backbone of this NIP.  See excerpts and research in blogs below.
5.  The Observer--a NIP that I really like, on which I've written many chapters, fragments, etc. over the years, but which I'm maybe still not ready to fully get into.  You can just feel that, you know?

So that's, what, 5 novels (or NIP)?  That's a lot.  But also there are...

6.  A long article on Pedro Martinez's peak brilliance, as compared to the peaks of others, in our time and before, using some stats (and common sense) that I have not found on baseball-reference.com, or in anything by Bill James, or in Baseball Digest, etc.  Maybe excerpts of #6 and #7 on my sports blog?
7.  A long series of articles on the Hall of Fame voting for MLB.  This series is unique because it focuses not on the fact that HOF players got into the Hall, but on the number of voters who felt that they didn't belong.  Large numbers of voters felt that Babe Ruth, Ted Williams, Willie Mays, Hank Aaron, etc. did not belong in the Hall.  There has never been a 100% unanimous selection to the HOF.
8.  Research for short story and novel submissions--and the actual submissions themselves.
9.  Critiques for the pieces submitted by members of the three writers groups I belong to.
10.  My house, my better half, and the fact that I have an actual life, which also includes my career.

I need to set some sort of schedule.  I just finished my grad. class, thank God.  Now I have to pick one of the novels above, just go for it and finish a draft, while spending time with the submissions as well.

And the energy to do it all.  I heard that J.K. Rowling woke up at about 4 a.m. and wrote until 6 a.m. to get her kids to school, and then wrote until she had to pick them up, and then wrote after she put them to bed.  And then over and over again.  Good Lord, give me the strength!  How?!?  I guess...just do it.

Tuesday, November 23, 2010

Another Apocalypse Fragment

I don't know yet where in the novel this will go.  The setting is at a Kansas City, Missouri community of survivors.  This area is now largely arid, wasted land.  The "I" is the main character, David Bancroft.  Those of you on top of your Old Testament will recognize this as the dinner shared by the elders and...well, you'll see.  The reactions of both are derived from the Old Testamental story.  I remind you that this is a rough draft.

[By the way, for those of you having trouble posting from Word to Blogger, use Notepad as an intermediary.]

An Immense Dread  

I felt an immense dread that transcended simple feeling.  It was a weight that pushed on me; I was scared, full of terrible wonder.  The wind was a hurricane that howled and knocked upon my door like a demon.
    I opened this door and found outside a dust-storm.  The red sand obliterated most of the sun; it flew in a puckered sheet right to left, and what sun shone through was a fixed red eye, a fireball, a barrel, locked and loaded, pointing at me from forever.
    And yet I saw to my right a large table covered by an overflowing white cloth; upon it lay more food than this camp would ever see—and four tall candles of white wax, their flames a solid life unwavering in the breeze.  Sitting in simple wooden thrones were the other seventy-three, each side holding thirty-six, all of them smiling, speechless, every eating movement slow and without noise.  The throne closest to me, with most of its back to me, sat vacant, turned slightly to the left, waiting for me as if it lived and breathed.
    Then the wind stilled and I was filled with terror.  A moan I didn’t recognize escaped from my dry, dust-covered lips; an indescribable dread chilled my heart so that I could not feel it beat.  A mania of awareness surged through me in this terror.  The sun was still a red eye, despite the stillness.  Again it seemed to me a red eye, unblinking, aimed at me directly.  In this dread I looked again at the people, at the table, and finally beyond them.
    And there, at a distance, beneath the frozen grey clouds, from out of the air and dissolving mist, appeared the giant figure that had always been there, now discernable in the stillness.  He crouched like a catcher, the toes barely touching the red dust and earth, the heels and large rounded knees not at all.  A huge muscled hand cupped each knee; the hands were bony, etched, despite their size and muscle.
    The massive face wore the color and lines of the desert on it; the blues of the eyes startling in a bright sea of whiteness.  This figure appeared and disappeared and appeared again in this stance, as if a cartoon character drawn incompletely on flipping pages that did not catch each small movement, causing it to flit in and out of this reality.
    As I walked slowly towards the table, trance-like, full of dread and terror, I saw that everyone else watched this image also.  All were transfixed and open-mouthed, unsmiling as I was, full of awe and terror.  A scream rose in my throat then, for as we watched this fleeting figure, as we gazed upon him, so he too watched us, gazed upon us.
    And his face was as terrified as ours, unsmiling, mouth open; as he moved his face closer, closer, still closer, his brown eyebrows descended into a solid wall that covered the upper-corners of his eyes.  Deep furrows dug into his forehead, and a feeling of death, of something beyond dread and terror, consumed me so that I felt that I would never stop dying, even as I lived.
    His cheeks thinned as he inhaled.  Its vacuum-wind blew out the candles, creating a three-second darkness that died when we were consumed by the red-eye sun that finally blinked and fired.
    And then he breathed.