Showing posts with label Exeter. Show all posts
Showing posts with label Exeter. Show all posts

Saturday, April 30, 2011

One-Sentence Summaries

To further become focused on my writing, it made sense to me this morning (after reading an article in Writer's Digest's "Write Your Novel in Thirty Days issue) to type up one-sentence summaries of the novel I'm currently working on.  Then, while I was at it, I wrote one-sentence summaries for a few other novels currently gestating in the ole noggin as well.  This is more challenging than you might think, but ultimately it's necessary.  Think of it as a thesis statement for an essay or paper: If you don't know what you're writing toward--or even what you're writing about--how can you expect yourself to write it?  You have to know what you're doing; to an extent, you have to also know where you're going.

So, though they may not be perfectly formed yet, here are my one-sentence summaries for a few novels.  Brief notes or explanations may follow each one.  Please feel free to post a comment or send me an email about any thoughts you may have about any of these.  I look forward to your ideas!  And while you're at it, why not do the same for your own writing?  (This would work for any type of writing, and for any length.)

One sentence summary:

The Gravediggers

Fears and bias surrounding an outbreak of TB in 1890s Exeter, Rhode Island, hide the scourge of a true vampire in the town and surrounding area.  [May be combined with the Plague in 1665-6 Eyam, England and AIDS in early 1980s America, and a small RI town today.]  This could be a series, as each of those ideas could be separate novels.


One sentence summary:

Untitled Concentration Camp Novel

A young boy with no artistic talent must either learn one or successfully fake it in order to survive his internment in a Nazi concentration camp whose purpose is to show the world how “well” Germany treats its Jews.


One sentence summary:

Apocalypse

Small groups of people in Kansas City, MO, Warwick, RI, and other major cities throughout the world must survive wars and natural disasters as they attempt to completely revamp what they thought was their “society.”  This includes attitudes about patriotism, religion, and the Bible itself.  This could be a series as well, as each of the last three things could constitute its own novel.


One sentence summary:

The Observer

After a breakdown nobody knew he had, one man must suppress the beliefs of his existence that held him together in order to re-establish himself in the mundane process of everyday American living.

Tuesday, March 1, 2011

Coming Down

Photo: Mountains and Lakes of East Wakefield, NH


A few folks I know in this red room have mentioned how hard it is to step out of the busy-ness of our lives and to sit down and write.  I communicated with one about Coming Down (she calls it the "switch"), which basically is the dividing line between getting to a mental space where you can write, and not getting there.  She opined--correctly, I think--that writer's block could be nothing more than the inability to get to a mental space to write your ideas down.  It's not a failure to have those ideas, but rather an inability to Come Down so that you can put them on paper (or screen).

Today I have had a tough time Coming Down, mostly because I woke up (very) late and because of my anxiety about going back to work tomorrow.  (I've been on vacation, and due to some personal and family issues, have done little to catch up at my job.  And, no, I'm looking for no sympathy--"At least you had a vacation!" I know many are saying.)  But then I did something that allowed me to Come Down, and it did not involve wine--although I've had a few sips of that, too.

The WIP now is a very visual piece, and so it occurred to me that I should look at it that way.  I've finished the roughest drafts of the first two chapters, and today was time to flesh one of them out.  Stall, stall, stall.  Accomplish personal and family responsibilities; eat dinner; stall.  Then it hit me: I've taken tons of pictures of the mountains, lakes and gravestones around East Wakefield, NH, and Exeter, West Greenwich and Warwick, RI.  I've put them on the computer and on CDs.  Why not look at all of them at once?  (There are about 100.)  I did so, mostly to get the feel for the locals, smells, and minutae of the settings.  And--boom!--I had Come Down and I was (and still am) ready to go.

Try it.  Take pictures of what you're to write about and create a slideshow of them on your computer (after backing them up to a CD, of course.)  I put many of mine on Flickr, too.  But you can also put them on Google, MSN, Yahoo, etc.  Then look at the photos that are representative of your work, and see what happens.  I'll bet you'll Come Down.

Wednesday, February 23, 2011

Exeter, 1888

Okay, so this is a (very) rough draft of Chapter One (maybe) of The Gravediggers, the title of which comes from a famous Nietzsche quote, about God being dead, which I'll cite for you when I feel like it.  Well, okay, here it is:

“…Do we hear nothing as yet of the noise of the gravediggers who are burying God?  Do we smell nothing as yet of the divine decomposition?  Gods, too, decompose…”
      --Friedrich Nietzsche, The Gay Science



You can look up the rest, if you're so inclined.  Just put in keywords NIETZSCHE, GRAVEDIGGERS, THE MADMAN  and GOD IS DEAD and you'll see the entire passage.  And he didn't mean literally that God was dead, but more or less meant that all man-made foundations were inherently nothingness, just a creation to protect us from the horror of the void.  Such umbrella terms include Society, Propriety, Family Values (he didn't mention that one, but he would today; love that one); such thought patterns include "Because I was raised that way," "Because that's what ---- do(es)," and, yes, organized religion.  Anything that ignores the fact that every single thought and action is the sole responsibility of the individual.  In other words, it is Bad Faith to say, "I believe so because that's what it says in the Bible," but it is good faith to say, "I believe so because I have chosen to believe that that's what it says in the Bible."  And I imagine that Good Faith and Bad Faith would be Nietzschean umbrella terms (traditional morality) as well.  But what're you gonna do?

I knew my philosophy degree would come in handy someday.  So, anyway, here's the fragment/draft/chapter.  I won't be including too many (if any more at all) of these, because why would an agent want to represent me if my stuff is free on the internet?  So here you are, and sorry for the above sidetrack---

Exeter, Rhode Island.  April 21st, 1888

Snuffy Stukeley would not have dug up his children had it not been for his neighbors.  Adam Wilcox, Mark Reynolds, John Whitford, the Mooneys, the Gardners, all of them wanted him to dig up his daughters.  They men of each family were with him now, in the burial plot behind his backyard, about twenty feet into the woods.  Their breath a mist in front of their mouths, they all dug at the softening earth of Anna’s, his youngest daughter’s, grave.  The rest of the men did not show that they heard his whimpers as they dug.  Shovel and spade sifted through the now-black soil.  The men grunted.

Edwin Mooney stood and stretched his back, his hands to both hips.  The oldest of them all, at forty-three, he looked at the darkening sky, the slow moving clouds, and wonders at the blasphemy of this.  Melissa Mooney, his eldest daughter—now nineteen herself, the same age as Snuffy’s daughter, Sarah, had been when she’d died—had wanted him to help dig, to help burn the bodies, if necessary.

“Sarah will come for me next!” she often wailed.  “Do you want me to die, too?”

Mary, his wife, had also asked him to help with the bodies.  “At least,” she said to him in bed one night, under flickering candlelight, “it will quiet Missy down.”  Mary had always been logical, he knew.  Very strong.  When he was uncertain, which was often, she was not.

He dug.

“I want it to be recorded somewhere that I want no part of this,” Dr. Harold Metcalf intoned, standing on the backyard doorstep of Snuffy’s home.  “This is a violence against God and good decency.”

“As you’ve been sayin’, Doctor Metcalf,” gasped Mark Reynolds between swings of the spade into the earth.  “As you’ve been sayin’.”

“Jus’ wait, Doctor Metcalf,” Adam Wilcox grunted, heaving shovelfuls of dirt to his left, into the woods behind Snuffy’s plot.  “Wait.  We’ll show you.  One of them’s to blame.  We’ll find ’er for ya, sure enough.”

“It’s just the Consumption, I tell you.”  Metcalf was angry and horrified.  The small town of Exeter, Rhode Island, was turned on its ear, and being led by the likes of Wilcox and Whitford.  Though not as base as Stukeley, they were worse because they were ignorant.  Stukeley, barely more than an idiot—though a great farmer, Metcalf had to admit—wasn’t expected to know any better.  But these men could.  And Reynolds and Gardner, too.  Otherwise good men led by their wives and daughters.  And superstition.

“Tell that to my Hannah,” whimpered Snuffy.  “Tell that to ’er after she’s done tellin’ you how Sarah’s been sittin’ on ’er, and drainin’ ’er.  Tell that to my wife, who says the same.”

Metcalf went to him and placed a hand on one of Snuffy’s shoulders.  Snuffy had stopped digging and stood there, sobbing.

“It’s the fever, Snuffy.  The starvation.  They’re just repeating what they’ve heard.  They’re seeing what’s been told to them.”

Snuffy turned then, and looked at him.  Bloodshot eyes leaked tears that ran his stubbled, cratered cheeks.  “Anna said the same!  Anna said the same and I didn’t listen to ’er!”

Doctor Metcalf removed his hand and stood back.  The others stopped their work.

“I didn’t listen to ’er and look what happened!  Six of ’em gone!  Six!  And now my son’s struck, and my wife!  And Hannah!”  Snuffy slid a soiled and shriven coatsleeve over his flowing eyes, then the back of a gloved hand over his running nose.

“I got six more, countin’ Hannah and my son.  I’m gonna lose my only son,” he wailed.  “He’s due to be married in a month.  I lose him, I lose my name.  Haven’t I lost enough?”

Metcalf calmed himself and offered a hand as he stepped forward.  “Snuffy, I’m sorry.  We’re all sorry that you—”

Stukeley batted away his hand.  “Haven’t I lost enough, now?”

The men stood around them, silent.  After a moment, Mary, his family’s young servant from Wakefield, appeared in the back doorway, clutching a shawl around her neck, sobbing.

Edwin Mooney, still rubbing his lower back, said: “What is it, child?”

She sniffled and hiccupped but finally got it out.  “It’s Hannah.  She’s—she’s gone!”

Snuffy gave Metcalf a last hard, yet weary, stare, then turned, walked slowly past the small headstones in the plot behind his yard, and entered his home.

“Jus’ leave yer good doctor’s hands in yer pockets,” drawled Wilcox.  “Let us work at it.  We’ll find the Devil yet.”

Metcalf, who thought of Wilcox as a common criminal, ignored him.

An hour later, Reynolds’ spade struck the coffin, damaging it.  He swore.  Carefully they slid strong ropes beneath the wood; then, four to a side, with Snuffy at the head and Dr. Metcalf—against his own judgment—at the foot, they hoisted it out and placed it carefully on the rocky ground.  The men offered the crowbar to Snuffy, but he couldn’t do it, so finally Adam Wilcox pried the top of the thin, wooden coffin.  Soon the nails gave, and they lifted it up.  Reynolds, Mooney and Gardner shown their lights.

Anna Stukeley lay in a state of advanced decomposition.  Strands of light brown hair lay scattered upon the red and pink pillow, upon her skull and on both shoulders.  Flecks of browning skin were attached still to the right jawbone and cheekbone, both otherwise the skeleton was bare.  The white and pink dress and black shoes they had buried her in had faded somewhat, and her skeletal hands lay, crossed, upon her chest.  She’d been dead for two years, and she’d obviously never risen.

Reynolds swore again.  The other men murmured as Snuffy covered his face and sobbed.  The doctor walked him into his house while the others replaced the coffin and began to fill in the hole.

When finished, they agreed, they would return home and meet again at eleven to work on the next grave.