The Murder Room

Photo: Book's cover, from my Goodreads page

For a writer like me (whatever that means), this is a great book, a source of story and book ideas for years to come.

It's also a great book for its content alone.  Capuzzo's writing took some getting used to, and I really didn't like how he sometimes jumped around, sometimes didn't (It reminded me of a recent time when I told someone that someone else we knew wasn't even predictable in her unpredictability), but the content is so compelling, and the cases so interesting, that you'll read on anyway, as I did.  The writing finally grounded itself about three-fourths of the way through, so that finally became a strength as well.

If you like this stuff--and I mean: investigations, tracking down killers, solving cases, profiling, cold cases, etc.--then this is a must-read.  If you don't, I don't know, because there's a lot of that here, even more than usual for books like this.  Much of it is grisly, and if you didn't have a healthy distrust of strangers before this, you will after this.  (Which is ironic, because the old adage is true in this book: 90% of all murder victims knew their killers well.)  If you can't handle the grisliness and sadness inherent in books like this, don't read this.  (The case of The Boy in the Box will especially haunt.)

The book, which is nonfiction, is about the Vidocq Society, a members-only group of the world's best investigators, morticians, detectives, profilers, crime scene analysts, and everyone else you can imagine associated with tracking down killers and serial killers.  (You need to read this if you don't know the difference between them.)  The group was started by three guys, all of them profiled (pardon the pun) here.

Frank Bender is (or, was, as he's died since publication) a bust-making artist of unparalleled excellence.  He could make a plaster bust of a face where one didn't exist.  He first specialized in time-lapse facial reconstruction.  What would a killer on the lam for 20 years look like since his last photo?  Bender made a cast of the guy's face, using a very old photo and a lot of whim, guessing, and innate talent, and the day after it was shown on America's Most Wanted, the guy was turned in.  Even more impressive: a skull is found with the face completely bashed in.  Using lots of research and a guess at what the partial sinus cavity would've looked like, and therefore the nose, etc., he made a bust that the murdered woman's mom saw and recognized immediately.  Fascinating.  He also had an open marriage and an insatiable drive and desire, not all of it artistic.  In essence, a whirlwind of energy you wish you had, used in ways you wish you could use it.  Bender was a very interesting, knowledgeable and, possibly, clairvoyant guy.  He said he could see and hear dead people in his dreams, and that he could feel the universe flow.  Read this book before you call that crazy.

Richard Walter is a profiler like no other.  Police departments take cold cases to him--and I mean, freezing, like over 50 years old--and he tells them where they went wrong, how they went wrong, and who the killer is.  The book makes it seem like he did this quicker than possible--he has to read case files over 1,000 pages long--but he soaks all the information in and somehow sees through all the wrong turns right away.  I've read a few myself, and I can't keep all the facts, wrong facts, suspects, wrongful suspects, theories, wrong theories, evidence, wrong evidence, and everything else straight in my head, or on paper.  He reads it, disects it, and tells you everything when he's done.  And he's always right.  BTW, the killer has over 90% of the time been questioned by police already, often several times.  Much of the time, the killer is who the police knows him (or, glaringly in this book, her) to be, but they can't prove it.  Often, Bender and Walter tell the police what they need to know so they, the police, can say it to the killer and get a confession.

William Fleisher put these guys together and started the group officially.  He's a well-respected investigator and a very well-liked and well-connected guy.  Elected the group's first president, he seems to be the glue that holds everything, and everybody, together.  He started the group with just these three guys, and now manages 82 (one for every year of its namesake's life) and hundreds of associate members.

As the society's website says, "The Vidocq Society is named for Eugène François Vidocq, the ground-breaking 19th century French detective who helped police by using the psychology of the criminal to solve "cold case" homicides. Vidocq was a former criminal himself, and used his knowledge of the criminal mind to look at murder from the psychological perspective of the perpetrator."  Bender was a former criminal as well.

Some of the many cases covered here are:

The Boy in the Box.  (Warning: This one is very depressing and disturbing.)

A robbery that was actually a planned murder.

A skull without a face.

A psychopathic murderess who worked as a waitress.

A guy who brings his case to the Society at their meeting, and is profiled as the murderer.

A young woman from Phoenix whose remains were found in Colorado.

Three cases over 50 years old.

There's so much going on in this book that it may need a second reading.  As engrossing as it was, I read some parts and I thought, "Yup, I can use that," several times.  So get past the scattered writing at first and you'll be taken for an interesting, chilly, intelligent, unbelievable, and--finally--well-written ride.

The Alienist by Caleb Carr

 Photo: Bellevue Hospital Ambulance, New York Times, 1895--from the Wikipedia page of The Alienist.

Been a few weeks away with illness, exhaustion, overwork, and some good headway on my novel and some shorter pieces.  Sort of an odd time lately, mostly without focus.  I've been reading six or seven books, and writing too many things at once--and not completing any reading or writing at all.  My sleeping patterns have been all screwed up, and...blah blah blah.  I'm tired of my own whining, but it is what it is.

That changed with The Alienist, a novel so well-written that I finished all 597 pages in just a few days, even waking up early to read it.  I read it through my cluster-headache on Sunday; I read it through an otherwise scattered-minded few weeks.  It cut through all that and straightened my focus and psyche out--for quite awhile, I hope.

I'd heard great things about this for a long time, and finally I gave it a go, with regret, since I'm trying to finish about six other things, like I said.  But I'm glad I did.

This novel has a lot going for it.  It's told in a first-person limited POV, by a reporter narrator who's good at describing his world without making it seem like he's purposely describing his world.  But he is, and he needs to for us, because he's describing 1896 NYC (and a little of D.C. and New Paltz, NY, too).  Caleb Carr does a fantastic job making this world interesting and alive, and the crimes he covers--and the investigation they cause--are top-notch.  (But not for the squeamish.) Essentially Carr describes the first wrinkles of what has become known as criminal profiling, which basically can be boiled down to analyzing the crime, and then asking yourself, What kind of person could have committed this crime, exactly this way, in this exact place and time?

As readers of this blog should know, I've long been interested in this kind of thing myself, so it was very cool to see some characters using these methods as the focus of their investigations.  In addition to profiling the crime, they profile a letter the serial murderer sends to a victim's mother--with some handwriting analysis as well, also new at the time--and there's a lot of attention paid to the earliest childhood years of many criminals in the book, also a cornerstone of criminal profiling.  Abusive and criminal parents will, more often than not, create abusive and criminal offspring.  This sort of implies that it's more nurture than nature, and that free will isn't all that strong, either, but that's a misreading that many people today--and many characters in the book--suffer from.

I'll leave that to the reader.  Bottom line is, if you like historical fiction, or crime/criminal investigation, or the 1890s in general, or if--like me--you happen to like all of those things combined, than this book is the one for you.  As I've said about some of Stephen King's books, there's something to be said for a 597-page book that's read in about three days.

As I mentioned, it was so good that it straightened out my psyche for a few days, and made me feel more complete, more whole, more in my own realm--whatever the hell that is.  Next up: his follow-up, The Angel of Darkness.

As the footnote at the beginning of the book says, an alienist is today's psychiatrist, or mental health researcher, as someone who needed to speak to someone like this (because there were few private practices in those days, so most people, especially the poor, would have to be committed to a facility or to a hospital to speak to one) was thought to be alienated, both from their society and from their own true natures.  (Sort of like how I've felt the last few weeks, though not to the extremes you'll read here.)  So a helper to these people would be an alienist.

Caleb Carr himself is quite an interesting guy, as is the story surrounding Lucius Carr, his (in)famous father.  It seems as if his father stabbed to death a man who was hitting on him, and William Burroughs and Jack Kerouac helped him dispose of the body and of some evidence before Carr confessed.  He served a couple of years in an Elmira prison, then worked for UPI for 47 years, though he was apparently also an alcoholic and an abusive father.

Caleb Carr comes off as a novelist of historical fiction who also dabbles in historical articles and books (and, it turns out, screenplays of two Exorcist prequels), but it turns out to be the opposite.  He's a well-respected historian.  Caleb has an injury to his arm and shoulder, similar to his alienist character, and he lives in a beautiful, self-made home with a wrap-around porch, in the mountains--alienated from his society, and recovering, as Carr admits, from being alien to himself.

Art imitates life.

My Day at the ER

Photo: Not Dr. Redhead.  A redhead from everydayhealth.com

So I'm at the emergency room the other day, never mind when--and, actually, I'd been there two days before that, too, but I needed to go back for more bloodwork--and despite bringing two books with me, I was captivated by the following things:

--Both times I went, two days apart, I got very thin, pretty doctors, a brunette and a redhead.  (The redhead was especially pretty, and I'm not usually one for redheads.)  And they were outstanding doctors, too, very thorough, very good at listening and explaining, very steadfast and in-charge.  I'm not just saying that to sound politically-correct, either.  Almost makes me want to get really sick again soon.  Almost.

--Medical care has undergone some serious transformations since I was last in an emergency room.  The one I went to had the worst reputation, and deservedly so, as someone actually died in the waiting room about six years ago.  I'd been there while younger (and poor) and I'd waited five, six, seven hours to get waited on.  These two times, no wait.  (When I asked how long the wait was, the girl said, "There's no waiting here."  I was so surprised, I couldn't stop from blurting, "No wait?  Since when?")

--I soon learned that "No waiting" was a relative term.  There's no waiting in the waiting room, but you'll wait awhile in the receiving room, behind the curtain thing.  But this is still nothing compared to the beard-growing wait it used to be.  Obviously, the death in this emergency room made them get volunteers (the second time, there were two older ladies smiling and preening at me the whole time; the smiles were so wide it was sorta weird. I mean, don't they see illness, injuries and blood all the time?  What the hell do they have to smile about?  Customer service, I know, I know.) that would separate the life-and-death cases from the not-so-much.  I'll bet the dying lady from years ago would've been escorted right in--and wheeled upstairs rather fast, as I saw last time.

--I kept nodding at the doctor like a damned fool.  She could've asked me if my name was Samantha, and I would've kept nodding.  "Would you like to strip now and say 'Woof, woof?'"  Nod.  Nod.

--The employees are like anyplace else: they whine and complain.  I listened for several minutes as some guy whined about how nobody's come to escort me to the x-ray.  Turns out, it was around the corner from my pod, maybe fifteen feet away.  I finally got there about half an hour later.  I felt like shouting, "If someone just wants to point me in the right direction..."

--When I was told to put on the johnny for the x-ray, I asked if I could put it on in the x-ray room, as we didn't know how long I'd be waiting.  This turned out to be a very wise move on my part, as they had me wait in the PIT (an acronym I also heard them complaining about; it stands for Patients in Transit) for about an hour, and it was FREEZING there.  I couldn't imagine sitting there in a johnny all that time.  And who wants to sit in a johnny in a waiting room, while tons of regularly-dressed people are milling about?  Odd.  The lady who told me to get into it I'd already diagnosed as a bit wacky and frazzled, so I didn't hesitate to pull the Jedi Mind Trick on her about the johnny.

--Also, having spent way too much of my life in hospitals, I knew that they rarely insist on the johnny when in the x-ray room.  I was correct here with that, too.  When I got in the room, the lady just asked me to take off my shirt.  I don't think she even knew I was carrying the johnny amongst my stuff.  When she was done, I put my shirt on and asked if she wanted me to leave the johnny there, and she said, "Oh, yeah.  Ummm...Sure."  And the pretty girl who led me in had a dragon on the back of her thin neck.  And she didn't know how to slide the background up and down.  I moved it for her a couple of times.

--Then, back to The Pit for awhile.

--While in The Pit again, this one guy kept babbling at me as I was clearly reading.  (I thought of Holden Caulfield.)  Turns out, he'd somehow gotten something metallic in his index finger, which had swelled to the size of a sausage.  Ewwwwwwww!!!  He said he'd heard they were getting a hand expert in for him.  Then he laughed hysterically at something I said about the show that was on, and then spoke at the show, in bitter, angry, unfunny tones, until he realized I was ignoring him.  Finally he laughed at himself and shut up.

--Another guy waited with me for awhile, but didn't say much.  But when I waited for my discharge papers at the end (which was quite a wait both times, though the stuff was the same), he talked up a storm.  He babbled about how he was sorry that he was called in front of me for the x-ray, even though I'd been waiting there much longer (the thin-necked dragon girl apologized, too; if she hadn't mentioned it, I wouldn't have noticed, as I was feverish, and reading, and otherwise distracted), and about how he was sorry about how much he mentioned that the cops had busted his fingers (he wore a large, bulky half-arm cast that covered most of his hand, but for two fingers, which jutted out like confused, recently-hatched birds), but that he kept mentioning it because he wanted it in the paperwork, so that when he went to the courtroom, it'd be in the paperwork, and how he respected the older, professional cops, but that the younger cops these days are too violent, and how he tries to stop drinking, but...I really wanted to ask him what he'd gotten arrested for, but I simply didn't want to engage him more than he was engaging himself.  Just didn't want to get involved.  But it's nice to see that even violent, drunken offenders who fight with cops have the decency to apologize for cutting you in the x-ray line.

--When the red-headed doctor called me into her office to explain the diagnosis, I felt special.  I mean, everyone else got talked to in The Pit, or in their curtained cell.  I got brought to her office!  And it was about the size of a shoebox.  When she smiled at me, which was often, I was happy.  Can I get a prescription for that instead?

--$100 co-pay EACH time.  Apparently the drastic transformation in health care isn't cheap.

--And another thing I noticed: lots of "providers," lots of "assistants," and lots of "volunteers."  Is there a doctor in the house?  I mean, besides Dr. Redhead, of course.

--As I was paying, a woman came out, strapped to a huge, tall, thick-metal, yellow rolling bed, which looked like the bed version of the thing Sigourney Weaver strapped herself into at the end of Aliens. The woman in that bed was grunting and groaning like a zombie with appendicitis, and her eyes were rolling back into her head.  The five or six people pushing her in that thing all looked worried and shocked.

--Upon seeing this, I said to the woman behind the counter, "She must've just gotten her co-pay bill, too."  I received no response to this at all, not even a GFY smile or an eye-roll.  But I thought it was pretty funny.  The timing was perfect, too, I assure you.  But her job is hard, and I'm sure she sees a lot of scary things.

--I made it a point to notice: every male employee (and quite a few of the male patients) went out of their way to talk to Dr. Redhead.  The pretty girl with the thin neck and dragon tattoo just gave these guys a little smile as she walked by, never once stopping to talk to any of them, though they were clearly trying to engage her in conversation.  You could tell that she very much enjoyed doing this.  She sort of sashayed when she walked.  One guy in green scrubs practically invited himself into Dr. Redhead's kitchen.  He was the fifth one to ask her where she'd been lately, hadn't seen her around.  (She'd been to a Boston hospital and two other Rhode Island ones.)  When she took me into her office, I felt like asking her where she'd been, hadn't seen her around lately.

--A special shout-out to one of my doctors, who undoubtedly has better things to do than read this, but I'll post it anyway.  This kind man, whom I've known literally all my life, gave me a follow-up call tonight.  From his office.  Just past 7 p.m.  Now that's good health care.

--Total time at the emergency room ER on the second day: Three hours.  That's really good.  I got received; I spoke to two doctors (the follow-up guy was a mystery this time and last time); I got listened to; I got treated with respect and intelligence (though I got the impression once that Dr. Redhead was lightly mocking me, but this was, of course, perfectly fine, as she smiled a few times, and laughed, and I don't even want to imagine what stupid expression I had on my face); I got lots of bloodwork done; I talked to a weirdo and a criminal, and I saw a woman have a psychotic break; I saw two very pretty women; I got apologized to by a cop-beating guy with multi-colored hair; I got off a couple of good one-liners, of which only one was laughed at, by the annoying guy with the sausage-swollen finger; I got lots of blog material; I got a cheap scrip that's working fine, without the nasty after-effects of the previous one (Don't go there.); and I essentially got my groove back.  What else can you ask for?

--Woof, woof.  Nod.  Nod.