Showing posts with label Dean koontz. Show all posts
Showing posts with label Dean koontz. Show all posts

Saturday, November 4, 2017

Odd Thomas by Dean Koontz


Photo: paperback book cover, from its Goodreads page

I haven't read a Dean Koontz book since the 90s, when he wrote about gov't conspiracy crap. Dan Simmons' Flashback reminded me of that stuff, and Flashback was every bit as crappy. I mean, really bad. A shame, because Koontz in the 80s was almost as good as Stephen King, and sometimes better. Koontz's A Bad Place, Phantoms and Whispers, among a couple others, were really good then, and hold up very well now. So it was with some trepidation that I started Odd Thomas; but I did so because it got some really good reviews, because I'd heard good word of mouth, and because I'd seen it at a lot of yard sales, which is a good thing--because it means that people bought it to begin with, rather than just renting it from a library.

I'm happy to report that Odd Thomas is mostly very good. The narrator is likeable, though perhaps a little too much so, but whatever. The supporting characters are well-drawn and pleasant to deal with. His small town is well-wrought. And of course you love his flame, who Koontz fates with writerly tricks, in a kind of double-twist at the end. He knows you like her; he knows you want her to do well; he knows you expect that she won't; he knows you'll appreciate it when she seems okay. And then...

I knew it was a series, of course. And, knowing that, I see where Koontz also realizes it's a series, especially towards the end when one of the lovely nurses practically throws herself at him. That's when you know the fate of someone else, too. But it's all very good, if not over-the-top at times (especially with an Elvis who can't stop sobbing hysterically), and overall the book deserves the positive responses it's gotten. I don't know if I'm going to read any of the others in the series, but I guess I will if I run into one at a library or a yard sale, or something. I should mention that I'm a little concerned about Koontz's prodigious output, which makes King seem under-published by comparison. Does he write every word of a book that has his name on it? I don't know. I think he does here, but overall I don't know. The tone and patterns of this book do not match those of the ones I read of his in the 90s, which is a good thing. He could've changed, of course, but writers usually don't. He does still go on and on a little too much. I skimmed a few pages in this one; otherwise it would have gotten five stars. I didn't skim pages that were badly written, though; they just seemed superfluous. He goes on, for example, about a spider in the desert, for about 4-5 pages. The spider never does anything to him, nor he to it...so I skimmed some pages, but that didn't hurt the quality of the book overall.

You'll like the characters and you'll feel for them, and the overall suspense is gripping. You may wonder, as I did, how three psychopaths could all function unnoticed in a small desert town. From what I know about them, they can't hide too well for too long, especially in a sparse population, without people whispering, or their behavior being noticed. And at high profile, highly public jobs? But that, oddly, didn't detract, either, so that's good. I guess this book works despite a few things, but it works nonetheless, and is therefore highly recommended. I read it all in one day, which also speaks well for it. 

Saturday, March 29, 2014

My HWA Screw-up / Nice Authors


 Photo: HWA's Stoker Award for Specialty Press, won by Gray Friar Press from the UK.

Well, this is embarrassing, but here's my admission:

As a member of the Horror Writers Association of America, I thought I was eligible to vote for the HWA's Stoker Awards, but I'm not.  Unfortunately, I didn't know that until after I'd asked for some review copies of some nominated works.  In other words, I emailed a few writers and asked them for review copies (which voters are supposed to do) so I could consider voting for their works.

Except then I found out I wasn't eligible to vote.

And the books had already come.

So let that be a lesson to you: When you join a club, know its rules.

Immediately I knew I had to email all these writers back, admit my mistake, and ask them if they wanted me to pay for the book, or pay to send it back to them.  Books, especially hardcover books, are not cheap.  I'd received seven books overall.  The least costly: $14.00.  The most: $26.00.  Overall I'd received over $120.00 worth of stuff under incorrect pretenses.

Could this have gotten ugly?  I don't know.  But as a professional writer / novelist wannabe, I certainly didn't want to take that chance.  More importantly, bottom line: I had a writer's property that initially I shouldn't have had.  That's bad in of itself; for a professional writer / novelist wannabe like me, that's really, really bad.

I put off sending out the emails for a few hours, which is very unlike me.  But finally I sent them; each one began, "Well, this is embarrassing, but..."  It took me about seven hours to send out all of the emails.  Each one was painful.  Doing that really, really sucked.  What a professional they must think I am!

The writers were very nice, of course.  Some just asked that I post a review, which I was more than happy to do.  A few didn't ask me to do anything and said not to worry about it.  One of them even said that sending the emails was a classy thing to do.  (Having class is not something I'm often accused of.)

So one of the few good things to come out of this is that I can now review each of these books and collections.  Which I will do.  The voting has been done, too.  The results will be announced this summer during the World Horror Convention in Portland, Oregon.  I read these books and write these reviews now not for the Stoker Award, but for the books and the writers themselves, which I am more than happy to do.

And I'm happy to say that they are all nice people as well.  Each one could have given me a hard time, but didn't.  A few of them even said kind things.  So, here they are, in a list.  Please consider reading their books--the ones I'll review, or any other.

Eric J. Guignard, Editor: After Death... (short story collection)

Jonathan Moore: Redheads ("Part horror, part CSI, part revenge thriller..."--Jay Bonansinga, NYT Bestselling Author)

Michael Knost and Nancy Eden Siegel, Editors: Barbers and Beauties (short story collection)

S.P. Somtow: Bible Stories for Secular Humanists ("Skillfully combines the styles of Stephen King, William Burroughs, and the author of the Revelation to John!"--Robert Bloch, author of Psycho / "He can drive the chill bone deep."--Dean Koontz.)

Anthony Rivera and Sharon Lawson, Editors: Dark Visions, Vols. 1 & 2 (short story collections)

Christopher Rice: The Heavens Rise.  And check out the Internet radio show of this NYT bestselling author, too.