Notes from A Stephen King Interview, Part 2

Photo: Stephen King at The Harvard Bookstore, June 6, 2005.  From his Wikipedia page.

[This is Part 2 of a blog started a few days ago, which you can go to here if you don't want to scroll.]

[Stephen King gave this sort of loose interview to The Atlantic on April 12, 2011.  The interview was in conjunction with a new-at-the-time short story, "Herman Wouk Is Still Alive," which you can read here.  (You should read the story first before continuing on with this blog entry.)]

To another vein.  You know how your writing and English teachers always tell you to walk around with pen and paper (or, today, an iPhone, or an iPad, or just talk into your cell, or--) because you must write down that great idea or you'll forget it?  Well, the guy who has sold more books than anyone currently alive says:

I never write ideas down. Because all you do when you write ideas down is kind of immortalize something that should go away. If they're bad ideas, they go away on their own.

For the record, I also believe this, and I very rarely write anything down.  When I do, I hardly ever use them.  I also believe that ideas you'll use will germinate in your head and simply not leave until you write them into a story.  All the other ideas are unwanted guests who are correctly shown the door.  The more I practice this, the more writing I get done.  The more I let every single idea take root, I stray or the elevator stops.

Out of nowhere, practically, King gives a pretty good description of what poetry is good for:

[Poetry] takes ordinary life, it takes things that we all see, and concentrates them in this beautiful gem. When the good ones do that, that's what you get. When the Philip Larkins or the James Dickeys do that, you get something that is heightened, that says to us that reality is finer and more beautiful and more mysterious than we could ever possibly express ourselves. Which is why we need poetry.

Indeed so.  I'm not a good enough poet to do this myself--I've only managed to sell one poem, though it's also true that I've only sent out one poem--but I agree that this is what good poetry can do.  It's life, super-concentrated, super-compact.  I wrote a line that says, "A poem is a thought shared in compacted time."  I believe this to be true.

But I respectfully disagree with King on one point.  When asked to compare the short story markets of his youth to the ones today, King said:

All those magazines published short fiction. And it started to dry up. And now you can number literally on two hands the number of magazines that are not little presses that publish short fiction.

While this may be true in terms of physical, tangible magazines you hold in your hands, this is not true overall.  There are a ton of markets--many of them big, that pay well--on the Web.  They're called e-magazines.  I've been published in a few of them, and they often pay better than the hand-held, paper ones.  A sign of the times, but a fact nonetheless.

In fact, when King says that people don't read short stories (or much else) anymore, I would politely disagree with that, as well.  Those online mags wouldn't be able to pay what they do if nobody was reading them.  And there's a ton of decent-paying online mags. Again, I know: I've been in them.

And, finally, here's an interesting irony:

JP: It is odd, though, if you think about it, that with all the speeding-up that we're being told about, and the dwindling of the attention span and all that, that people would rather chomp their way through a 400-pager than just get zapped by a little story ...

SK: And so many of the 400-pagers are disposable in themselves. When I see books by some of the suspense writers that are popular now, I think to myself: "These are basically books for people who don't want to read at all." It just kind of passes through the system. It's like some kind of fast-food treat that takes the express right from your mouth to your bowels, without ever stopping to nourish any part of you. I don't want to name names, but we know who we're talking about.

This is also true.  I'll name names for him: James Patterson.  Many of the heart-felt vampire books, or young-heroine dystopias.  But, I should also add, in all honesty: Stephen King himself, sometimes.

I think he would admit that, most of the time.  He was just having a negative, cranky interview.

Advice Needed: Putting Together My Sold Pieces

Two quick questions.  Any advice offered would be appreciated:

The owner of a local boutique has offered me the chance to have a book signing at her shop.  I've had a few pieces published, and the rights have reverted back to me by now.  I've already requested 25 copies of a snazzy-looking magazine that one of my stories appeared in (Spring 2012 Issue #116; please go to the link here to see it), so I'll have those to sign.  But I wanted something else, too: A collection of my other works that have sold to a) online fiction mags; b) a British (and, especially with the shipping costs, not cheap) book; c) a collection of essays.

So, I thought about putting these pieces together into one little book--nothing as official as something with an ISBN or anything like that, but also not something that looks amateurish or cheap.  I thought I'd get something with a cover, a back, a photo of me on the back in a lower corner, and an image to present each of the five or so disparate pieces in the book.  Therein lies a problem: I've got a piece of speculative fiction that sold to Space and Time Magazine, the one with the cool cover; a contemporary, literary piece that sold to OnThePremises.com; a poem that sold to the British publisher; an essay that sold to a specialized collection.  That's four completely different works (I'd add a fifth, previously unpublished story), so they'd need four completely different images to represent them (they are not closely related at all, in either content, theme or style), plus a cover image that somehow did represent the tone of them all, or the theme, or the...I don't know.

There's question #1: How do I work with these images?  Any ideas?

The other conundrum was, of course, cost-related.  My friend is too swamped to do the work (which she sounded honestly interested in and excited about, as this is exactly what she does for a living, and is currently doing a few extra jobs that pay the bills, but isn't what she likes to do best), and I would never ask her to do all this for free, anyway, as I know it's a lot of work and time, and I don't believe in asking professionals to do work for free, even if they are my friends.  But, of course, I can't afford to pay someone to do all this for a normal fee, either.  My friend said this would cost about $1,000 to do, and that's unfortunately out of the question at this point.

So that's question #2: How do I do this myself, for minimum cost, without it looking amatuerish or cheap?  Is this something I can go to OfficeMax, Staples or Kinko's for?

I was thinking of having book labels available for me to sign, and maybe one copy of the book I'm suggesting, and keeping a list of names so people can pre-order that, rather than making a lot of books that don't sell.  But I'd rather have a lot on hand, too.  And maybe I can sell the unsold ones later...Confusing.

Of course, it's possible I'm severely over-thinking things, and nobody will want anything, and I'll sob openly.

But if you're going to plan something, and dream something, why not go for it?

And, well, that's it.  Please, any ideas at all would be greatly appreciated.  Thank you, readers.

I hope the new year is treating everyone well.