Showing posts with label rich. Show all posts
Showing posts with label rich. Show all posts
Saturday, January 2, 2016
Goodbye 2015 -- Affluenza
Photo: Ethan "Affluenza" Couch. By the Associated Press, December 28, 2015
And, his mother, also from the AP. Read about them below. For the whole article, go here.
Good riddance to 2015! Say goodbye to:
Ethan Couch, who drunkenly plowed into a disabled vehicle and the 4 people servicing it, all of whom died. This happened when he was 16, in Texas. During the sentencing phase, his lawyer said he suffered from "affluenza" because his parents were so rich and had spoiled him so much, he didn't know right from wrong. This apparently worked, because the judge gave him 10 years' probation! Rather than feeling responsible, he attended a party where alcohol was served, though in fairness the video does not show him drinking any. I don't know if that matters in terms of his probation, though. I'm guessing it violates it, because soon he and his mother threw a going-away party, then split for Mexico, crossing the border in an SUV (and after paying someone off, because I don't think people on probation can leave the country without permission, which he wouldn't have gotten because he missed a mandatory court date and a rehab stint). U.S. authorities finally tracked them down because they'd ordered a pizza over the phone, possibly with a credit card. The mother was flown back to L.A. and arrested (While living together after her divorce, she placed her son's bed in her own bedroom, saying he was her "protector." Ewwwwww!!), but Couch won an appeal in a Mexican court, and is still in Mexico, fighting extradition. The prosecutor said this could take anywhere between a few days, to a few months, to perhaps years.
This nauseating story speaks for itself. But I have to ask: That judge gave him 10 years' probation (and a stint in rehab) for killing four people and crippling two others--if he did so because he believed Couch was too rich and too spoiled to know right from wrong, then doesn't this judge also have to give stupefyingly light sentences to someone very poor, who grew up so poor and abused that he also didn't know right from wrong?
Just sayin'.
So, Affluenza Ethan Couch, goodbye, man. And, by the way, that Mexican detention center you're in until the extradition mess gets worked out--that can't be any better than any American juvie center or rehab for rich kids. Again, just sayin'. Oh, and one more thing: Do these two look haunted by their misdeeds to you? That first one is a sociopath if I've ever seen one. And the mom? Proud of it all.
More Goodbye 2015 entries to come. Why do you want to say goodbye to 2015?
Saturday, July 11, 2015
The Rule of Four
I really wanted to like this book, and in many ways I did. But I still finished it somewhat disappointed, and--even worse--I felt that while I was reading it.
I think the problem is that this book tries to do too many things at once. That is its selling point, its victory and its curse. It screams "We're not just The Da Vinci Code!" and yet on some levels it is, with much better writing and characterization.
But it lacks Dan Brown's (albeit superficial) tension. There are no cliffhangers. There's really no suspense. You don't really care who the villains are--and the characters don't seem to, either. There's a nice relationship (in fact, the girl deserves better), but I didn't care, except that I felt bad for the girl.
But while I felt bad for her, I realized that it didn't matter, and for God's sake let's get on with it.
If you liked rich-school hijinks, a la 1983's Class (You remember, with Rob Lowe, Andrew McCarthy, Jacqueline Bissett and Cliff Robertson?), then you'll like the Princeton antics described here.
But I didn't care. Just bring on the book, the mystery, the characters, the murders.
If you liked the almost-homoerotic tension between rich schoolboys, a la A Separate Peace, then you'll enjoy that part. I hated A Separate Peace, and I hated that part of this book. C'mon, bring on the book, the mystery, etc.
If you liked good writing, you'll like that part. I do, and I did. But...Does the writing have to be that good for a book like this? I guess you can have it both ways. Umberto Eco's Name of the Rose and Pears's An Instance of the Fingerpost come to mind. But...the sometimes great sentence seemed superfluous here. While I was waiting for it to get back to the mystery, I often read a great sentence that shocked me out of the book. I actually uttered "Wow" a few times, out loud. But...
Surprisingly, this book was not quite the page-turner I'd heard about. The word on the street was so high on this one, that maybe my expectations were unfair. I don't know, but I'm confident that this book would have been much better with all of the Princeton kijinks taken out, as well as least half of the Separate Peace nonsense, and tighten up the mystery and the murders.
On that last point, another problem here is that you don't have time to wonder (or, to even care) who the murderer is. I mean, there are only two options, and then one of them turns up dead. Not much of a mystery, really.
The direction of the writing also doesn't let you think about it. You just go along with it all and wait for it to be shown to you. It gets buried behind the other stuff.
And so I have to say I liked it, but with reservations. It ultimately disappointed me, but I acknowledge that it's well-written, though maybe I needed the more base of writings here. It tries to be both The Name of the Rose and The Da Vinci Code, but somehow doesn't end up being either one--and doesn't even, somehow, fall between the two.
I think the problem is that this book tries to do too many things at once. That is its selling point, its victory and its curse. It screams "We're not just The Da Vinci Code!" and yet on some levels it is, with much better writing and characterization.
But it lacks Dan Brown's (albeit superficial) tension. There are no cliffhangers. There's really no suspense. You don't really care who the villains are--and the characters don't seem to, either. There's a nice relationship (in fact, the girl deserves better), but I didn't care, except that I felt bad for the girl.
But while I felt bad for her, I realized that it didn't matter, and for God's sake let's get on with it.
If you liked rich-school hijinks, a la 1983's Class (You remember, with Rob Lowe, Andrew McCarthy, Jacqueline Bissett and Cliff Robertson?), then you'll like the Princeton antics described here.
But I didn't care. Just bring on the book, the mystery, the characters, the murders.
If you liked the almost-homoerotic tension between rich schoolboys, a la A Separate Peace, then you'll enjoy that part. I hated A Separate Peace, and I hated that part of this book. C'mon, bring on the book, the mystery, etc.
If you liked good writing, you'll like that part. I do, and I did. But...Does the writing have to be that good for a book like this? I guess you can have it both ways. Umberto Eco's Name of the Rose and Pears's An Instance of the Fingerpost come to mind. But...the sometimes great sentence seemed superfluous here. While I was waiting for it to get back to the mystery, I often read a great sentence that shocked me out of the book. I actually uttered "Wow" a few times, out loud. But...
Surprisingly, this book was not quite the page-turner I'd heard about. The word on the street was so high on this one, that maybe my expectations were unfair. I don't know, but I'm confident that this book would have been much better with all of the Princeton kijinks taken out, as well as least half of the Separate Peace nonsense, and tighten up the mystery and the murders.
On that last point, another problem here is that you don't have time to wonder (or, to even care) who the murderer is. I mean, there are only two options, and then one of them turns up dead. Not much of a mystery, really.
The direction of the writing also doesn't let you think about it. You just go along with it all and wait for it to be shown to you. It gets buried behind the other stuff.
And so I have to say I liked it, but with reservations. It ultimately disappointed me, but I acknowledge that it's well-written, though maybe I needed the more base of writings here. It tries to be both The Name of the Rose and The Da Vinci Code, but somehow doesn't end up being either one--and doesn't even, somehow, fall between the two.
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