American Horror Story--Freakshow--Edward Mordrake, Part 2--Episode 4--An Excerpt

Photo below: Just as last week, from http://verumfabula.wordpress.com/2012/08/26/the-curious-case-of-edward-mondrake/

Photo below: from the Huffington Post, at this site.

It's late at night and I've got writing to do, so--very quickly:

--Well, I sort of called it, as I did say that the Killer Clown was by far the most worthy of Mordrake to take with him.  AHS's creators did a good job of making the trailers look like Elsa was going to go.

###  Go to the whole blog entry at my AHS site to read the deleted stuff.  ###

--John Carroll Lynch--a.k.a. Twisty the Clown--has played tons of other roles in good TV shows and movies.  I remember him most as the main suspect in Zodiac (Didja catch the Zodiac homage in the first episode, the killings at the lake?) and as the pregnant cop's husband in Fargo.  Ayuh.

--And, strange to say, sorry to see Twisty go.  Felt the same about Gareth in Walking Dead.  They had charisma, man.  Which is hard to do if, like Twisty, you don't have any lines.

--Heard today that Lily Rabe will be back this season after all.  And she's bringing Sister Mary Eunice with her!  Apparently she'll explain how she and Pepper got to the Asylum.

--Speaking of Pepper, I met the real actress--Naomi Grossman--at a recent TerrorCon.  And she's pretty!  I was going to get her autograph, but I was short on cash, having bought waaaaaaaayyyyy too many posters.  Won't do that at Saturday's Comic Con.

--And I made eye contact with her twice, so hopefully I was polite enough to at least say Hello to her.  Knowing my social skills, probably not.  It was sort of like driving by a yard sale, really slowly, looking over everything, but never stopping the car or getting out.  Just a drive-by look and nothing.

***  Go to the whole blog entry at my AHS site to read the deleted stuff.  ***

--And now the twins are getting that way, too.

--Not sure Desiree Dupree's response to that kid was altogether appropriate.  She said, "I'm a woman and a whole lot more," or something like that.

--Let's hope we don't see Evan Peters and Emma Roberts in the tabloids again.  Last year, she apparently beat him up.  But she's likeable, and his character is already much better than last year's travesty.

--Word has it that the last three or four episodes haven't been shot yet, which is why they can add actors to the cast this late in the game.  I mean, Lily Rabe agreed to join the cast this week, which means she hasn't shot her scenes yet.  And only three or so episodes remain to be shot.

--Things apparently don't need to be planned any better than that.  Weird business.

Happy Halloween, everyone!

Why American Horror Story: Coven Really, Really Sucked

Photo: Stevie Nicks, from her Wikipedia page.  Read on for the AHS: Coven connection, especially if you haven't seen the show.

It's over now, anyway, and the ending was so disappointing that I didn't even want to write about that.  That's bad, and that's how bad it was.  The only reason I felt even slightly motivated to write about it was because of how bad it was, and now I'm over it enough to do just that.  So, Coven sucked because of:

--Mona's end.  She was by far the most interesting, the most dynamic character, and the way her end was handled was indeed very sloppy.  What about all those scenes of her knowing about her darkness?  What about how she wanted to be better, and asked for forgiveness?  She knew Stevie Nicks, for God's sake, so how bad could she be?  (And I'm unsure of how I feel about unabashedly plugging Stevie Nicks so much.  I mean, the last episode began with a video for her.  But...she always did strike me as kinda earthy, kinda wispy, kinda Misty Day-like, actually.) True, her daughter saw her future killings of everyone, but could that really have been the case if she was dying of cancer the whole time?  And why not have the Axe Man do her in, if you're only gonna have her use him, which does him in, and then have her disappear for awhile so that we think she's dead, only to have her return, but be dying of cancer?  Does that make any sense at all?  And that Catholic / Hell / Purgatory judgment thing at the end, with her character and a few others?  No thanks.  That's as old and as unnecessary as the movie Ghost.  Didn't like it there; didn't like it here.  Writers do not judge their characters.  They only write about what happens.  Understandable that they wouldn't want Lange's character to seek redemption, as I said above, and then work to get it, since that's exactly what they did with her character last season--but this?  Did they have to do this?  And was that really a purgatory for her character--suddenly she doesn't like the guy (if she ever did) and she has a fit about the wooden floors and walls?  Incidentally, that voodoo-whatever guy was apparently responsible for that end, but remember, Mona was unable to make a deal with him to begin with because he said she lacked a soul.  No deal, so no punishment for reneging on that deal.  Stupid, ridiculous, and really, really bad writing.  Made me angry.

--Misty Day's end.  (And what a great character name!)  So, speaking of judgment, someone is supposed to remain in Purgatory, or just die (or, what exactly did happen to her?) because she doesn't want to kill anything?  And she feels like this to begin with because she was burned at the stake herself?  Why did she live just to be in Purgatory because she didn't want to kill anything--which, by the way, is normally seen as a good thing?  Why not just stay in the swamp, or go back there once the threat of getting killed was gone?  (A serious threat that Mona, by the way, took care of.)  Ridiculous ending to what could have been a good character.  After Mona, she was my favorite character.  Stupid, ridiculous, and really, really bad writing.  Also made me very angry.

--Misuse of Kathy Bates and Angela Bassett.  So Angela Bassett's character gets conked on the head by Mona's former slave / servant--who had died but not died, like almost everybody else--and then buried alive somewhere, and nobody knows where?  What was her character around for, anyway?  And was she that evil at the end that she would shove hot pokers in the throats of Bates's daughters?  If so, why wasn't she in her own Purgatory?  That's the thing about judgment: Once you judge a character for reason X, you have to judge every character by that same reasoning.  Or it's a mess.  What a waste of a good actress and a role that could have gone somewhere.  Speaking of judgment: What exactly did Bates's daughters do that was so bad that they deserved to be killed like they were, and then to be pokered like they were, for eternity?  Again, that's where judgment goes bad.  Stupid, and really, really bad writing.  And Kathy Bates...Well, at least her end was a little more understandable, though I'm still not keen on the whole judgment thing.  And her character had her scene-chewing moments.  But...again, did her daughters belong there, as well? And if the argument is used that those aren't really her daughters, but representations of them for Bates's own Purgatory--then wouldn't she get that, sooner or later?  I mean, she has all eternity to figure that out.  Once she does, it's not Purgatory-like punishment, because she knows it's not really her daughters getting it, anyway.  And does Bassett's character need to be there for all eternity as well?  Stupid, and really bad writing.

That's what really gets me about Lange's, and Bates's, and Bassett's characters (and maybe Misty Day as well, who had a certain flair): They were the only interesting ones, the ones with any sort of character arc, or personality, or sense of humor.  Or anything.  Like, at all.  And they get punished for that?  Stupid.

Have I gotten across how stupid I thought the whole thing turned out to be, and how bad the writing was?  And don't get me started on FrankenCarl.  What, exactly, was he around for?  And Madison.  She was, at least, interesting.  Did she get a Purgatory?  We didn't see one.  Misty Day gets one, completely undeserved, and she doesn't get one, when she mauled a bus-ful of boys (as understandable as that was, considering what they did), but then kills, but doesn't kill, Misty Day?  (So that she can later have a breakdown in eternity in a science class with a frog.  Reader, repeat that sentence again to yourself.)  There's perhaps a certain irony there, considering Roberts was later arrested for assaulting the real FrankenCarl.  They also later become engaged.  And--

What a mess!  What an incredibly horrible stinking mass of excrement that was still--because of the acting of Lange and Bates and Bassett--at least still shockingly bearable.  Until the end.  And coming on the heels of Season Two, which I thought was one of the best shows that I have seen in a very long time, perhaps ever...

So bad that it defies explanation, despite my reasons expressed here.  Unbelievable that the same writers who wrote Season Two also wrote this.  Like the Brandman book of a few blogs ago, this was so egregiously bad that it actually crossed the line and became offensive.  It's hard to screw up a series in which essentially anything goes, with really good actors and a talented writing crew--but they somehow managed.

And that's why American Horror Story: Coven really, really sucked.

Did you think it sucked?  Why?

Click here for American Horror Story: Freak Show, my new blog.  Each episode will be reviewed in the blog.  Let me know what you think!

Casablanca, Hamlet and AHS: Coven, Episode 2

Photo: Kathy Bates and Jessica Lange, at ew.com.  Go to this link to read the interesting interview with Ryan Murphy, referenced below.


What follows is an example of what you can find on my new blog about American Horror Story: Coven.

A little late with this entry.  Not good for a blog about a tv show.  Who wouldn't want to read about a show two days after it aired?  Finally had time to see the DVRed show.  Had to watch the Sox in the ALCS, of course, on Wednesday.  Horrible game, too.  Oh, well.  Had I world enough, and time. 

Here are some quick thoughts about this episode:

--It begins with Lily Rabe's character Misty Day (great character name, BTW) killing two gator poachers.  Not that there's anything wrong with that.  Very realistic-looking second alligator pulling the guy into the water.  I'm guessing a radio-controlled gator, or thing in a real gator's mouth.  I'll have to wait for the DVD, I guess.

--Almost the entire episode was shot with ocean wave-like camera movements.  Distracting, after awhile.  This has always been a very director-focused show, and there's always been that attention to directorial style, but this one almost made me seasick.  Well, that's an exaggeration, but it was bothersome enough for me to comment on.

--Anyone catch the commercials for Stephen King's Dr. Sleep, followed by the third movie version of his Carrie?  I guess he knows which show his fans are watching--besides the terrible Under the Dome, that is.

--I hope I look as good at her age as Jessica Lange does now.

--Ditto for Angela Bassett.

--Emma Roberts is arguably prettier at her age than her famous aunt, Julia Roberts, was--but here's to hoping that she turns out more like her aunt than she does her addict father, Eric Roberts.  Time will tell.

--This episode was titled "Boy Parts," but it could've been called "Franken-boyfriend."

--Part of the spell, towards the end, to reanimate Kyle had the phrase "this mortal coil."  Which came first in this show's universe: That spell, or Shakespeare's Hamlet, where that phrase originated?  Well, I can tell you that Hamlet first said his famous "To Be or Not to Be" soliloquy in 1600-1601, if that means anything.

--I enjoy seeing the many homages in this show's history to other famous movies and shows of the same genre.  But I have newfound respect for it if it's going to pay homage Hamlet, as well.  Unless it sees Hamlet as another example of its genre, which Shakespeare's play may very well be.  Ghosts, incest, brother murdering brother, insinuated incest between mother and son, insanity, spying and intrigue, a possible devil in disguise (notice the devil's appearance yet again in this series, during this episode), and four murders / deaths in about thirty seconds at the end?  Yup--Hamlet sounds quite a bit like American Horror Story to me.

--Listening to the dialogue between Jessica Lange and Angela Bassett in the hair salon was a little disconcerting.  I wonder what the actresses thought about having to say all that hocus-pocus stuff.

--Then again, Jessica Lange has said worse dialogue in a movie.  I'm very vividly remembering her pounding on King Kong's fist in 1976 and, after calling him a "male chauvinist ape," screaming two words that didn't sound at all like the movie-makers were intending.  See it here on YouTube.

--If you saw the clip, you'd have to agree--Now that's some bad dialogue.

--Rabe's Misty Day character is amusing.  Not only does she look great for someone burned at the stake, but she thinks Stevie Nicks is a prophet.

--I wonder how much, if anything, Stevie Nicks got paid for allowing them to use her name like that.  And the music, too.

--Whoa, just found out the answers at ew.com, here.  Interesting interview with the series co-creator, Ryan Murphy.

--I have to listen to the lyrics to that song now, just to know what the hell Misty Day was talking about.

--Lots of witches doing unwise things, all of which violated Frankenstein's Law: Don't play God.

--Overall, a very entertaining episode, especially Lange's character acclimating Kathy Bates's character about cellphones, and the danger of crossing the street without first looking for cars.  They walked down the center of the street like Bogie and Claude Rains at the end of Casablanca.  Except I don't think it's the beginning of a beautiful friendship for the ladies.  If you don't know the reference--and shame on you if you don't--you can watch the famous clip here.  (And notice the "usual suspects" line, as well.)

See you next week.